- Bosnia and Herzegovina
- Czech Republic
- New Zealand
- North Macedonia
- South Korea
- The Netherlands
Animation is such an engaging art form – perfect for inspiring the wide-open imaginations of our youngest NZIFF audience members. Not that the inspiration stops there – these eclectic and entertaining films are sure to appeal to both the young and young at heart. — NM
We again alternate big themes and existential musings with essential hilarity, showcasing 12 terrific short films from all corners of our big wide world. Certain to stimulate and charm both sharp young minds and indie animation-loving grown-ups. — NM
Drawings move, paintings come to life and puppets take the stage, one painstaking frame at a time.
A celebratory showcase of some of the year’s best and brightest animated shorts. If you’re looking to sample the animation ecosystem in all its multicoloured, variously-shaped glories, there’s no better place to begin.
This stunning and immersive programme takes us on an animated journey inside the rich mental states of unique characters.
Marvel at the worlds created by animators whose imagination knows no bounds, in this celebration of animation’s power to transport.
The elemental power and glory of water is captured with high frame rate, ultra-definition cameras in film artist Victor Kossakovsky’s spectacular visual documentary.
As EDM and ecstasy-fuelled raves are targeted by 90s lawmakers, two downtrodden Glasgow teenagers are determined to taste the action. Director Brian Welsh (The Entire History of You) makes it a night to remember.
Anna Kendrick plays a dysfunctional FBI agent tricking an idealistic preacher into plotting terror in The Day Shall Come, Chris Morris’ ballsy, very funny follow-up to festival hit Four Lions.
Shot over five years, Waad al-Kateab’s intimate, Cannes award-winning film addresses her baby daughter and delivers a harrowing account of the war in Aleppo, the devastation wrought on the city, its people and children.
A forbidding spaceship carrying death row inmates hurtles towards oblivion in Claire Denis’s long-awaited, intensely hypnotic sci-fi opus.
A cross between Suspiria and an old Farmers catalogue, the latest from retro genre stylist Peter Strickland, centring on a demonic dress at a posh department store, gleefully satirises fashion and consumerism.
Celebrate Alfred Hitchcock’s 120th birthday with “the first true Hitchcock movie,” an atmospheric thriller set in the London fog. Accompanied by the Auckland Philharmonia Orchestra performing Neil Brand’s brilliant new score, conducted by Peter Scholes.
Utilising a treasure trove of archival footage, director Alex Holmes celebrates the history of Maiden Great Britain, the first all-female crew to compete in the Whitbread Round the World Race.
Former Soviet Union president Mikhail Gorbachev gets his due in [Werner Herzog’s] engaging and touching valedictory to one of the most pivotal figures of the 20th century.” — Ann Hornaday, Washington Post
Stanley Nelson’s rich and multifaceted biography of legendary jazz musician Miles Davis delivers a clear-eyed portrait of the man behind the music.
Soaring across Poland, Scotland and the Ukraine, Agnieszka Holland’s absorbing biopic illuminates the exploits of unsung Welsh journalist Gareth Jones, who bravely investigated the Soviet famine of 1932–33.
Timothy Spall plays English painter L.S. Lowry – here a frustrated artist in 1930s Lancashire – and Vanessa Redgrave his bed-ridden, domineering mother, in this popular play-turned-biopic.
Four years after Waterloo a different kind of battle was fought on British soil, Mike Leigh delivers a passionate and forceful historical drama about the time when the working class began to fight for their rights.
PJ Harvey gathers lyrical and musical inspiration in Afghanistan, Kosovo and Washington DC, an unorthodox collection of raw material fused together in a London studio for her 2016 album, The Hope Six Demolition Project.
Turner prize-nominated artist Richard Billingham directs with visual lyricism and intelligence this tough, transfixing autobiographical drama of working-class life in Thatcher’s England.
A most worthy follow-up to I, Daniel Blake, Ken Loach’s new social-realist drama zeroes in on life as an average British family at the mercy of the modern day ‘gig economy’.
Moving between fiction and reality, and harnessing the power of both drama and dance, Cuban ballet dancer and choreographer Carlos Acosta shares his life story, from a barely interested kid to one of the greats.