NZIFF Booklet

Films by Country

Australia

2040

Damon Gameau

In this inspiring vision of the future, That Sugar Film director Damon Gameau travels the world in search of technologies and practices that will reduce our dependence on carbon, pull people out of poverty and help create a better 2040.

Animals

Sophie Hyde

Holliday Grainger and Alia Shawkat (Arrested Development) are thirty-something best friends in Dublin, where partying hard is still their way to have fun, but the reality of getting older is getting harder to ignore.

Backtrack Boys

Catherine Scott

A love for wild dogs and a love for wild kids inspire Australian Bernie Shakeshaft’s remarkable programme to transform the lives of both, intimately observed over two years in Catherine Scott’s acclaimed documentary.

Celeste

Ben Hackworth

Radha Mitchell is radiant as a retiring diva in this intoxicating tale of love, betrayal and Schubert’s lieder set in a remote and beautiful enclave of bohemian community in the North Queensland rainforest.

Danger Close: The Battle of Long Tan

Kriv Stenders

In this powerful war film, Vietnam, the forgotten conflict in ANZAC history, is remembered through the heroic deeds of Australian and New Zealand troops engaged in the brutal fight for Long Tan.

In My Blood It Runs

Maya Newell

Told from the perspective of an insightful 10-year-old Aboriginal boy, this sensitive documentary considers the value of an education that balances the integrity of indigenous lifeways against persistent colonisation.

Judy & Punch

Mirrah Foulkes

Punch & Judy’s traditional puppet theatre receives an offbeat and subversive twist in this deliciously dark tale of revenge starring Mia Wasikowska.

Mystify: Michael Hutchence

Richard Lowenstein

Richard Lowenstein, who directed Michael Hutchence in Dogs in Space, combines rare archive footage and intimate insights from the people who were close to the INXS rock icon, in this major documentary.

The Nightingale

Jennifer Kent

Winner of the Special Jury Prize at the Venice Film Festival, Jennifer Kent’s brutal revenge saga is an unrelenting reckoning with white male oppression – and not for the faint of heart.