- Czech Republic
- Hong Kong
- New Zealand
- South Korea
- Sri Lanka
- The Netherlands
Wild tales, great characters, a colourful sprinkling of laughs, a catchy song or two, different ways to play with your food, and plenty of surprises from the international world of animation. Recommended for ages 5–9.
A sardonic drama about the entanglements of 20-something twins Lauren and Jeannie as they (don’t quite) confront romantic relationships and career-path crises. “Smart, sweet and deeply involving.” — Screendaily
Charming portrait of NY Times fashion photo-columnist who identifies trends on the street and at high society parties. “We all get dressed for Bill.” — Anna Wintour. “A great documentary for a deserving fashion legend.” — Esquire
James Nguyen’s insanely bad eco-horror, inspired by The Birds, Apocalypse Now and An Inconvenient Truth, is already a legend. “We confirm that it’s the worst-film-ever experience of the season and that you need to see it.” — Vice
Documentary about the legacy of the late Samuel Mockbee and the Rural Studio who design and build innovative structures for the less fortunate in impoverished Alabama.
Imminent man-made catastrophe is explained with alarming clarity and conviction by doom theorist Michael Ruppert, who already accurately predicted the economic meltdown. “Shockingly persuasive.” — NY Times
In this slyly excruciating comedy of embarrassment from the Duplass brothers, John C. Reilly finds his courtship of Marisa Tomei seriously threatened by her jealous, awe-inspiringly passive-aggressive 21-year-old son (Jonah Hill).
Robin Greenberg (Huloo) uncovers the remarkable adventure of five inexperienced young fishermen who set off from Taiwan in 1955 to cross the Pacific in an old junk. Frank and funny interviews complement superb colour footage of their voyage.
Award-winning doc about the ecological poisoning caused by ‘fracking’, the mining of ‘clean’ natural gas. “You haven’t experienced environmental dread until you’ve seen tap water catch fire.” — Now
A selection of new dance films, both performance and documentary, from New Zealand filmmakers; including a documentary portrait of the life of Shona Dunlop McTavish who brought modern dance to Dunedin.
A spicy mix of funny and imaginative stories that span animation, documentary and experimental genres. Short films by up-and-coming New Zealand filmmakers, selected from an overwhelming number of entries nationwide by a panel of industry experts.
James Franco is uncannily right as young beat poet Allen Ginsberg in this film about his epochal 1957 poem. “It’s a heady flight into not just a particular poem but into the act of creativity itself.” — Hollywood Reporter
Jim Carrey as flamboyant real-life con artist Steven Russell and Ewan McGregor as his quiet, camp boyfriend! “One of the sharpest, blackest and funniest comedies of the year.” — Empire
“The definitive screen investigation of the global economic crisis, providing hard evidence of flagrant amorality – and of a new nonfiction master at work.” — Variety. Lucid and informative, the hottest doco at Cannes this year.
Moving, illuminating portrait of painter Jean-Michel Basquiat, graffiti artist and party boy who became an art world star at 21. Never-before-seen footage. “Definitive.” — Moving Pictures
“Pioneer comedian. Plastic-surgery freak. Red-carpet maven. Foul-mouthed shock artist. No matter how you think of her, Joan Rivers: A Piece of Work is likely to expand your idea of who, exactly, Joan Rivers is.” — San Francisco International Film Festival
Casey Affleck turns in a chilling performance as a psychopathic sheriff in Michael Winterbottom’s violent country noir, adapted from the Jim Thompson novel. “An entertaining and brilliant psychological portrait.” — Interview
La Danse: Le Ballet de l’Opéra de Paris
A portrait of one of the world’s great ballet companies by one of the world’s great documentarians. “Sumptuous in its length and graceful in its rhythm… this is one of the finest dance films ever made.” — NY Times
Architect I.M. Pei guides us through his creative process as he works, at the age of 92, on his serene, white Museum of Islamic Art in Doha. Beware: this film is designed to make you want to travel to Cairo, Córdoba and Qatar.
A fascinating portrait of Mark Hogancamp, who built an elaborate scale-model world in his backyard as a way to cope with the after-effects of a brutal beating. “Outsider art has never been as riveting – or as revealing.” — Now
Daniel Ellsberg and the Pentagon Papers
Oscar-nominated doco about Daniel Ellsberg, who in 1971 handed the NY Times a 7000-page top secret dossier revealing the truth about US involvement in Vietnam. “A straight-ahead, enthralling story of moral courage.” — New York
Beautifully animated film based on J.R. Ackerley’s classic tale of man and dog. “Droll and tender… The intensely personal, mutually possessive devotion between man and man’s best friend gets a thorough probing.” — Variety
Set over a single night before the beginning of a new school year, The Myth of the American Sleepover captures the enduring wistfulness of teenhood and marks a unique and idiosyncratic debut from director David Robert Mitchell.
Superb modern revival of classic 50s choreography shot on location in NY. “Few ballets capture what it means to be young in New York City like Jerome Robbins’s 1958 NY Export: Opus Jazz.” — New York
Absorbing, challenging critique of the ‘War on Terror’ interweaves the stories of two brothers-in-law: one Osama bin Laden’s former bodyguard (now driving a cab in Yemen), the other a Guantánamo Bay prisoner charged with war crimes.
Nicole Holofcener’s (Lovely & Amazing) spiky comedy of liberal guilt delivers a pleasingly rounded portrait of a handful of lively Manhattan women, bound together by family ties and real estate envy. With Catherine Keener.
Crowned by Entertainment Weekly as the ‘Citizen Kane of Bad Movies’, The Room has been slaying audiences now for seven years throughout the US and UK, with rabid fans screaming out lines and throwing props at the screen.
Kristen Stewart and Dakota Fanning as Joan Jett and Cherie Currie, front girls of the 70s-era teen proto-punk sensation, The Runaways. “The sheer force of the girl-power energy… will leave you jumpy.” — Vanity Fair
For the third successive year the Festival’s long-standing, popular and much-cherished collaboration with the Auckland Philharmonia Orchestra is dedicated to the eternal comic wonder of the great silent clowns.
Fascinating, funny portrait of Stephin Merritt, the notoriously bad-tempered writer of beguiling literate American pop, and his band the Magnetic Fields. “Will intrigue and entertain even those unfamiliar with their music.” — Time Out
A team of 21st-century cowboys herd thousands of sheep to summer pastures in the mountain grasslands of Montana. “A really intimate, beautifully shot examination of the connection between man and beast.” — NY Times
Entourage star, filmmaker Adrian Grenier turns the camera on a teenage LA paparazzo in his smart, entertaining investigation of celebrity culture. With Lindsay Lohan, Paris Hilton, Matt Damon. “Adrian Grenier gets it.” — LA Times
Harmony Korine (Gummo) depicts the deviant exploits of a gang of demented geriatric peeping toms on stuttering low-grade VHS. “Is it a lost underground movie or a new species of freak-folk art?” — Cinema Scope
Infectious portrait of Trimpin, an eccentric, extremely talented kinetic sculptor, sound artist, musician and composer who uses scavenged materials to craft fanciful musical instruments of his own design. With the Kronos Quartet.
Documenting the entwined lives of soccer hero Andrés Escobar and notorious drug baron Pablo Escobar (no relation), this film uncovers Colombian soccer’s Faustian pact with the drug trade.
Musicians Warren Maxwell, Maaka McGregor and Himiona Grace perform a new soundtrack bringing humour and fresh perspective to this ‘Māori folk drama’ made in New Zealand by Hollywood’s Universal Studios in 1928.
Indie rock hipster Sean Bones goes with the flow on the beaches and backroads of Jamaica in this smart and funny comedy about a skinny New York white boy trying to cut it in a Rastaman world.
This bracing, backwoods drama of a young woman’s determination to deliver her young siblings from the bleak expectations of their kin was the big winner at Sundance this January. “Raw but utterly enveloping.” — Variety