Staff Picks: Charlotte Underhill

A cross between Suspiria and an old Farmers catalogue, the latest from retro genre stylist Peter Strickland, centring on a demonic dress at a posh department store, gleefully satirises fashion and consumerism.

As EDM and ecstasy-fuelled raves are targeted by 90s lawmakers, two downtrodden Glasgow teenagers are determined to taste the action. Director Brian Welsh (The Entire History of You) makes it a night to remember.

Blending archival footage with interviews from A-listers Ava DuVernay, Geena Davis and Agnès Varda, among others, Green’s fizzy doco dives into the birth of motion pictures, and the pioneering woman who was there from the start.

In the world of magic, nothing is what it seems as a terminally ill magician prepares for his swansong – and the ultimate trick on the maker of this bizarre documentary.

Boogie Nights meets Pain & Gain in this tragic, oddly compelling story of two low-end porn actors who sought fame but gained infamy, all based on real events.

Holliday Grainger and Alia Shawkat (Arrested Development) are thirty-something best friends in Dublin, where partying hard is still their way to have fun, but the reality of getting older is getting harder to ignore.

From America’s satanic panic to the battle of the Baphomet monument, Hail Satan? is an eye-opening comedic romp exploring the good – and sometimes not so good – work of The Satanic Temple.

Part film noir, part dreamscape, this oneiric love mystery – acclaimed for its hour-long 3D sequence shot in a mesmerising unbroken take – intoxicatingly captures romantic obsession in southern China.

An essential big screen experience, this spectacular documentary utilises a treasure trove of painstakingly restored footage to show us the Apollo 11 moon landing as it has never been seen before.

Soaring across Poland, Scotland and the Ukraine, Agnieszka Holland’s absorbing biopic illuminates the exploits of unsung Welsh journalist Gareth Jones, who bravely investigated the Soviet famine of 1932–33.

Inspired by her family history, Ash Mayfield’s directorial debut is a delicate and sensuous journey of a young Vietnamese girl torn between duty to her much older husband and her blossoming sexuality.

Debuting writer-director Danielle Lessovitz weaves a boy-meets-trans girl romance about identity and belonging around the New York underground ballroom scene.” — David Rooney, Hollywood Reporter. Executive produced by Martin Scorsese.