A Festival nomad by trade, I started out at NZIFF in 2003 and after a two-year hiatus I’m back for more. Sundance, Berlinale, Venice and the other Festivals I’ve been to have nothing on us. Some of the titles below I have already seen and highly recommend (’71, Best of Enemies, Mommy). Some others I have missed somewhere else and hope to finally watch them here (A Girl Walks Home Alone at Night, James White, Mia madre, The Tribe). And then there are those new titles I want to see full stop. But the one thing I am REALLY looking forward to is going to The Civic for my very first time and experiencing The Kid with the Auckland Philharmonia Orchestra… oh boy, I can’t wait!!!!!
- Darren Bevan
- David Larsen
- Films for Teens
- James Croot
- Meet the Filmmakers: Auckland
- Meet the Filmmakers: Wellington
- Patricia Watson
- Rebecca McMillan
- Staff Picks: Angela Murphy
- Staff Picks: Bill Gosden
- Staff Picks: Cianna Canning
- Staff Picks: Felicity Drace
- Staff Picks: Hayden Ellis
- Staff Picks: Jenna Udy
- Staff Picks: Kailey Carruthers
- Staff Picks: Kate McArthur
- Staff Picks: Lisa Bomash
- Staff Picks: Lynn Smart
- Staff Picks: Megan Duffy
- Staff Picks: Michael McDonnell
- Staff Picks: Olivia Young
- Staff Picks: Poppy Granger
- Staff Picks: Rachael Deller-Pincott
- Staff Picks: Sandra Reid
- Staff Picks: Sibilla Paparatti
- Staff Picks: Tom Ainge-Roy
- The Lumière Reader
- Tim Wong
- Wellington Film Society's Picks of NZIFF 2015
Martin Scorsese and David Tedeschi’s doco celebrates 50 years of cultural and political debate in the pages of The New York Review of Books with octogenarian editor Robert Silvers, its tireless champion of intellectual freedom.
This nerve-racking wartime thriller from director Yann Demange and Black Watch writer Gregory Burke stars Jack O’Connell (Starred Up) as a lost British soldier hunted by both sides amid the mayhem of Belfast, 1971.
Anticipating the punch-counterpunch set-up of today’s TV punditry, but so much more incisive, the 1968 TV debates between liberal Gore Vidal and conservative William F. Buckley Jr resound again in this terrific documentary.
Our chador-wearing heroine walks the night-time streets of Bad City sinking her teeth into those who deserve to die. Outrageously languid, this new-school vampire movie is a triumphant first feature for Ana Lily Amirpour.
The Christchurch Symphony Orchestra plus Charlie Chaplin equals glorious Live Cinema. Marc Taddei conducts Chaplin’s score for The Kid, arranged by Carl Davis, and Timothy Brock’s new score for the wildly funny The Immigrant.
In Nanni Moretti’s mix of wry comedy and sombre family drama, a woman strives to balance life and art as her mother’s health fails – and the actor in the film she’s directing (John Turturro) proves to be a handful.
The emotional roller-coaster of a single mother’s relationship with her ADHD teenage son is rendered with intense sympathy and dramatic flair by 25-year-old director Xavier Dolan. Winner of the Cannes Jury Prize in 2014.
Handsomely shot for the giant screen, this story of feuding brothers in a remote valley in Iceland begins as an oddball comedy about sheep farming and grows into a moving tale about a priceless rural heritage under threat.
Ethan Hawke’s music-laden documentary ushers us into the company of octogenarian former concert pianist and tireless teacher Seymour Bernstein, and invites us to share his humour, vitality and penetrating wisdom.
This strange and original multi-award winner from Ukraine employs a deaf cast to enact its lacerating vision of teenage prostitution and gang war brutality in a Kiev boarding school.