Our writers have been covering the NZIFF for nearly ten years now, and our body of film criticism wouldn’t be nearly as interesting without it. While there’s always something for everyone at the festival, we return each year determined to be challenged by our viewing choices, to reconnect with old iconoclasts, and to discover ambitious new auteurs. The following picks – some of which we’ve already seen, others we’re simply excited about – anticipate, above all, the out of the ordinary.—Brannavan Gnanalingam www.lumiere.net.nz
- Darren Bevan
- David Larsen
- Films for Teens
- James Croot
- Meet the Filmmakers: Auckland
- Meet the Filmmakers: Wellington
- Patricia Watson
- Rebecca McMillan
- Staff Picks: Angela Murphy
- Staff Picks: Bill Gosden
- Staff Picks: Cianna Canning
- Staff Picks: Felicity Drace
- Staff Picks: Hayden Ellis
- Staff Picks: Jenna Udy
- Staff Picks: Kailey Carruthers
- Staff Picks: Kate McArthur
- Staff Picks: Lisa Bomash
- Staff Picks: Lynn Smart
- Staff Picks: Megan Duffy
- Staff Picks: Michael McDonnell
- Staff Picks: Olivia Young
- Staff Picks: Poppy Granger
- Staff Picks: Rachael Deller-Pincott
- Staff Picks: Sandra Reid
- Staff Picks: Sibilla Paparatti
- Staff Picks: Tom Ainge-Roy
- The Lumière Reader
- Tim Wong
- Wellington Film Society's Picks of NZIFF 2015
Shu Qi plays the eponymous killer in this ravishingly beautiful foray into historical martial arts territory from Taiwanese master Hou Hsiao-hsien. Winner of the Best Director Award at Cannes.
Rak ti Khon Kaen
A hospital full of sleeping soldiers is haunted by matters both historical and intensely personal in the latest gentle and entrancingly beautiful cinematic enigma from the Thai Palme d’Or winner Apichatpong Weerasethakul.
A demented mash up of lurid, long-lost movies that never existed, this new work from Canadian genius Guy Maddin plunges a starry art house cast into phantasmagorical scenarios of melodramatic weirdness.
“Paul Thomas Anderson has taken Thomas Pynchon’s novel about the death of the hippie counterculture and turned it, reasonably faithfully, into a surreally funny, anxious and beautiful film noir.” — The Telegraph
Greek director Yorgos Lanthimos (Dogtooth) casts Colin Farrell, Rachel Weisz, John C. Reilly and Léa Seydoux in a surreal English-language fable set in a world where singles are forced to couple up or be turned into animals.
Tim Wong’s elegantly assembled and illustrated film essay contemplates the prevailing image of our national cinema while privileging some of the images and image-makers displaced by the popular view of filmmaking in New Zealand.
The director and riveting star of Barbara reunite for another moving film noir-inflected tale of love and profound suspicion, this time set amidst the reconstruction of Berlin in the immediate aftermath of WWII.