Films by Collection

Staff Picks: Cianna Canning

New Zealand (I am looking at you in particular Wellington), you can rain and pour to your heart’s content because I have a date with NZIFF.

A Girl Walks Home Alone at Night

Ana Lily Amirpour

Our chador-wearing heroine walks the night-time streets of Bad City sinking her teeth into those who deserve to die. Outrageously languid, this new-school vampire movie is a triumphant first feature for Ana Lily Amirpour.

A Most Violent Year

J.C. Chandor

In J.C. Chandor’s intense, 80s-set thriller an ambitious wheeler-dealer on New York’s contested waterfront (Oscar Isaac) tries to detoxify his business, but his Mob daughter wife (Jessica Chastain) has other ideas.

Inherent Vice

Paul Thomas Anderson

“Paul Thomas Anderson has taken Thomas Pynchon’s novel about the death of the hippie counterculture and turned it, reasonably faithfully, into a surreally funny, anxious and beautiful film noir.” — The Telegraph

The Lobster

Yorgos Lanthimos

Greek director Yorgos Lanthimos (Dogtooth) casts Colin Farrell, Rachel Weisz, John C. Reilly and Léa Seydoux in a surreal English-language fable set in a world where singles are forced to couple up or be turned into animals.

The Postman’s White Nights

Belye nochi pochtalona Alekseya Tryapitsyna

Andrei Konchalovsky

Russian director Konchalovsky follows a rural postman on rounds that cover tiny lakeside villages in the Arkhangelsk region of northern Russia in this affectionate, unvarnished, ravishingly shot portrait of a vanishing culture.

Red Army

Gabe Polsky

“Gabe Polsky’s electrifying look at a once-unbeatable Soviet hockey team and the link between sports and politics… deserves a big boo-yah from audiences for being illuminating and hugely entertaining.” — Peter Travers, Rolling Stone

Tangerine

Sean Baker

Shot on iPhone and looking fantastic, Sean Baker’s R-rated comedy storms the streets, doughnut shops, brothels and clubs of West Hollywood as two transgender BFFs hunt down the ‘bitch’ who did them wrong.

Tehran Taxi

Jafar Panahi

Pretending to be a taxi driver negotiating the streets of Tehran, Iranian filmmaker Jafar Panahi makes a fascinating, surprisingly entertaining movie about his own role as a forbidden storyteller and life in Iran today.

Victoria

Sebastian Schipper

An after-midnight flirtation on the streets of Berlin gets thrillingly side-tracked by another chase entirely. Filmed in a single real-time take, it’s an edit-free pièce de résistance of acting, directing and mobile camerawork.