Staff Picks: Rachael Deller-Pincott

Check out the year’s best New Zealand short films as chosen by guest selector Christine Jeffs, from a shortlist drawn up by NZIFF programmers from a total of 75 entries.

The life, music and passionate commitment of the irresistible Mavis Staples are lovingly chronicled in this spirited doco – with help from fans Bob Dylan, Bonnie Raitt, Chuck D, Wilco’s Jeff Tweedy and Prince.

Greek director Yorgos Lanthimos (Dogtooth) casts Colin Farrell, Rachel Weisz, John C. Reilly and Léa Seydoux in a surreal English-language fable set in a world where singles are forced to couple up or be turned into animals.

Kim Webby’s background in investigative journalism is put to riveting use in this documentary about Tame Iti and the Urewera Four, taking a criminal case of national interest to explore a greater social issue.

The deeply eccentric Roy Andersson’s meticulously mounted comic sketches move from historic fantasy to hilariously deadpan humour as he muses on humanity’s inescapable absurdity. Golden Lion, Best Film, Venice Film Festival 2014.

Drawing on the rich and lurid vein of Neapolitan fairy tales, Matteo Garrone’s lavish, eye-popping fantasy thrusts a stellar international cast into its wildly baroque world of kings, queens, hags and monsters.

Shu Qi plays the eponymous killer in this ravishingly beautiful foray into historical martial arts territory from Taiwanese master Hou Hsiao-hsien. Winner of the Best Director Award at Cannes.

In Nanni Moretti’s mix of wry comedy and sombre family drama, a woman strives to balance life and art as her mother’s health fails – and the actor in the film she’s directing (John Turturro) proves to be a handful.

This intellectually teasing, near-future drama stars Domhnall Gleeson, with Oscar Isaac as a reclusive AI genius and an eerily bewitching Alicia Vikander as the android Ava, programmed to test the boundaries of creation.

This impressive doco disperses the fog of shame and sensationalism to shed light on the tragedy that made international headlines in 2007 when a young Wainuiomata woman died during a mākutu lifting.

An after-midnight flirtation on the streets of Berlin gets thrillingly side-tracked by another chase entirely. Filmed in a single real-time take, it’s an edit-free pièce de résistance of acting, directing and mobile camerawork.