- Palawa Kani
- Te reo Māori
Deft and deeply felt, with a star-making turn from Awkwafina, Lulu Wang’s widely praised drama tells the story of a Chinese American family paying their last respects to a mother and grandmother who doesn’t know she’s dying.
Sebelum pagi berakhir
This gripping heist-thriller… depicting a dark underbelly of Kuala Lumpur teeming with violent triads and corrupt cops… raises the bar of Malaysian genre cinema.” — New York Asian Film Festival
Following three successful, determined and single women deemed sheng nu (leftover), directors Shosh Shlam and Hilla Medalia paint an affecting profile of finding and defining love in modern day China.
Di qiu zui hou de ye wan
Part film noir, part dreamscape, this oneiric love mystery – acclaimed for its hour-long 3D sequence shot in a mesmerising unbroken take – intoxicatingly captures romantic obsession in southern China.
Zhuo ren mi mi
This fiery Cannes title challenges the #MeToo movement’s popular discourse with a confronting and complicated tale of consent and abuse, based on its lead actress’ own experiences in the movie industry.
A frank documentary about the wide-reaching impact of China’s one-child policy, Nanfu Wang and Jialing Zhang unearth the frightening reality of the regime they were raised under. Winner Grand Jury Prize, Sundance 2019.
This visually arresting film takes us to a mountaintop village in China, where the simple rituals and traditions of unhurried, everyday life are captured in vibrant folk paintings.
Nan fang che zhan de ju hui
Gangland subterfuge tumbles into a dazzling nocturnal manhunt in Chinese director Diao Yinan’s film noir par excellence – a modern genre classic in the making.