A bombshell medical diagnosis prompts a young man to reflect on life’s precious gifts in Nino, Pauline Loques’ delicately-handled debut feature which builds into a touching drama carried on a soulful, understated central performance from Théodore Pellerin.
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Nino feels like a minor miracle in the way it conjures up a well of emotions while never once feeling maudlin or pompous.
Nino 2025
Theodore Pellerin (Lurker NZIFF 2025) is Nino Clavel, an introverted, diffident figure in his late 20s. A seemingly routine medical appointment leaves him with the news that he has throat cancer, his chemotherapy will begin in three days.
Nino follows the titular character over the weekend of his 29th birthday. The loss of the keys to his apartment forces him to spend the weekend on the move, drifting through an unfamiliar Paris. He seems to be seeking something to hold onto as everyday life carries on regardless.
Nino is not a film that tugs at the heartstrings. It is quietly observant, encouraging a feeling of intimacy through extensive use of close-ups and the comforting anonymity to be found in a big city. Exposing Nino to friends, family and the wisdom of strangers gently leads him down a path towards choosing life. Pellerin successfully inhabits Nino’s diffidence and reserve, but his modest smiles and fond looks effectively convey how the character gradually warms up.
– Allan Hunter, Screen Daily