Charlotte Rampling and Tom Courtenay are deeply affecting in award-winning roles as a retired Norfolk couple preparing for their 45th-anniversary party, when a ghost from the past raises awkward, long-buried questions.
Sidse Babett Knudsen from Borgen and Chiara D’Anna star as lovers locked in a game of mistress and servant in this consummately coutured, surreal fantasy inspired by European soft-core of the 70s.
El 5 de Talleres
In this droll, romantic portrait of a young marriage, a hunky soccer pro reaches the end of his career and has to reinvent himself at 35 – with the discreet support and good-humoured indulgence of his lively wife.
Our chador-wearing heroine walks the night-time streets of Bad City sinking her teeth into those who deserve to die. Outrageously languid, this new-school vampire movie is a triumphant first feature for Ana Lily Amirpour.
The memoir of a gay love affair that began at school when the author fell for the captain of the football team and ended in tragedy 15 years later is already a classic of Australian literature, and now an inspiring, heartbreaking film.
Live Cinema with Lawrence Arabia and Carnivorous Plant Society
Coney Island 1928 is brought to teeming life with the World Premiere performance of a new score by Lawrence Arabia and Carnivorous Plant Society.
“Gaspar Noé may be the only director in history who could make a two-and-a-quarter-hours-long pornographic film in 3D and then have it legitimately described as his least offensive picture to date.” — Robbie Collin, The Telegraph
In her final completed film, playing a dramatic role created by her husband Arthur Miller, Marilyn Monroe is touching, and radiant as ever, as a showgirl whose intensely sympathetic nature upends the lives of three cowboy drifters.
Trois souvenirs de ma jeunesse
An engagingly eccentric and engrossingly literate coming-of-age film from French writer-director Arnaud Desplechin (My Sex Life), featuring Mathieu Amalric and a cast of brilliant young newcomers.
Director John Boorman’s comic memoir of postwar days as an unwilling conscript in the British Army is steeped in bittersweet nostalgia for misspent youth, first love and a Britain that faced the future by clinging to the past.
“The suspense and pleasure of Justin Benson and Aaron Moorhead’s talking-and-tentacles horror romance Spring lies in discovering what shape the film is going to take.” — Alan Scherstuhl, Village Voice