A Catalonian, peach-growing family face upheaval in this moving and nuanced reflection on identity, place and time by Carla Simón (Summer 1993 NZIFF 2017), awarded the Golden Bear at the Berlinale 2022.
Avec amour et acharnement
Juliette Binoche, Vincent Lindon and Gregoire Colin form a turbulent love triangle as old flames endure in Claire Denis’ sexy and volatile relationship drama.
Belgian director Lukas Dhont follows up his award-winning debut Girl (NZIFF 2018) with this deft exploration of the fragile world of childhood bonds, which has already picked up major prizes at Cannes and Sydney.
Marie Kreutzer’s bold and subversive costume drama features an imperious Vicky Krieps as the restless Empress Elisabeth of Austria, struggling to break free from the restrictive confines of courtly life.
Park Chan-wook makes a welcome return to NZIFF with this masterful and seductive romantic thriller about an insomniac detective investigating a mysterious widow oddly unconcerned with her husband’s death.
This stunning documentary portrait of French volcanologists Maurice and Katia Krafft is skilfully constructed from their amazing archival footage collected from numerous volcanic expeditions in the 1970s and 80s.
Ralph Fiennes and Jessica Chastain headline a star cast dealing with the fallout from a debauched weekend in Morocco in John Michael McDonagh’s blackly comic skewering of privilege.
À plein temps
Single mum Julie (Laure Calamy, Call My Agent!) races against time in this forceful, authentic drama underpinned by a thriller momentum.
Vanskabte Land/Volaða Land
Icelandic filmmaker Hlynur Pálmason follows up A White, White Day (NZIFF 2019) with this stunning historical epic which recalls the grandeur and madness of Herzog at his best.
El buen patrón
Javier Bardem, renowned for his memorable portrayals of villains in No Country for Old Men and Skyfall, adds another sinisterly charming, immoral character to his repertoire as the titular “good boss” in this dark Spanish satire which bagged all the top awards at the 2022 Goyas (the Spanish Oscars).
A documentary deep-dive into the life and legacy of legendary Canadian singer/songwriter Leonard Cohen told through the prism of his most anthemic and well-known song.
An unconventional portrait of an unconventional author that not only chronicles the extraordinary life, work and legacy of Kurt Vonnegut but also his decades long friendship with the filmmaker who set out to document it.
Reaping top awards at the 2022 Césars, this majestic, lavish fresco adapted from Balzac’s masterpiece paints a cruel portrait of 19th century Parisian society and the burgeoning world of the press, which has startling contemporary overtones.
This staggering, fly-on-the-wall portrait of the charismatic anti-corruption activist Alexei Navalny, filmed in secret following an assassination attempt on his life, is one of the year’s most electrifying films.
Check out the year’s best New Zealand short films as chosen by guest selector, Florian Habicht.
Check out the best Māori and Pasifika short films in this year's Ngā Whanaunga Māori Pasifika Shorts Competition.
Un beau matin
Léa Seydoux stars as a busy single mom, juggling caring for her daughter and her ailing father, who finds love in unexpected circumstances in Mia Hansen-Løve’s nimble romantic drama.
Seventeen-year-old boxer Jim carries the hopes and dreams of his father on his shoulders, but his growing relationship with local takatāpui Whetu forces him to confront the truth about his sexuality and choose his own future.
Based on Denis Johnson’s cult novel, Margaret Qualley and Joe Alwyn star in this heady and alluring romantic thriller from NZIFF fave Claire Denis, directing her second English-language feature.
Gilded privilege comes a cropper when abruptly confronted by less luxurious reality in this brilliantly orchestrated satire awarded the Palme d’Or 2022.
To sit, to listen to witness. Starting points for a multi-layered journey bring you to the brink of interaction between cultures, then, now, and what may be. Set in various flashpoints in time.
A gloriously animated fantasy reimagining of Anne Frank’s story from the lauded director of The Congress (NZIFF 2013) and Waltz with Bashir (NZIFF 2008).
In 19th century Macedonia, a young shapeshifting witch learns what it means to be human by inhabiting the lives of others in this one-of-a-kind feature debut from Australian-Macedonian filmmaker Goran Stolevski.