In director Hong Sang-soo’s wry observation of the end of an affair, Isabelle Huppert plays a French photographer who befriends a young Korean woman (The Handmaiden’s Kim Min-hee) at the Cannes Film Festival.
Dangsinjasingwa dangsinui geot
Hong Sang-soo’s sardonic romantic comedy teases confusion and bountiful amusement out of doppelgängers who may not be doppelgängers and lapses in memory that may or may not be genuine.
This wry rom-com from Festival regular Hong Sang-soo took the Un Certain Regard prize at Cannes in May. “A midsummer night (and day) sex comedy… as tangy and refreshing as sangria.” — Hollywood Reporter
Jal aljido motamyunseo
“Film festivals and cinema workshops come across as hotbeds of drunken brawls, fulsome schmoozing and adulterous sex in Korean auteur Hong Sang-soo’s pertly observant and endearingly droll send-up.” — Hollywood Reporter
Direct from Cannes. Arthouse superstar Isabelle Huppert meets Korean cult director Hong Sang-soo in three amusing tales of potentially romantic encounters, each starring Huppert as a French woman visiting a small Korean resort.
Geuk jang jeon
Korean Hong Sang-soo (Turning Gate, The Virgin Stripped Bare…) continues his distinctly personal brand of filmmaking with this wry story about sex, lies and cinematic one-upmanship.
Book chon bang hyang
Korean Hong Sang-soo’s latest satire of artists (and drinkers) is a characteristically sly farce of feckless men and hopeful women with a touch of Groundhog Day. “A crisp little gem.” — Screendaily
Festival favourite Hong Sang-soo returns with a playful, supremely droll, multi-part comedy that finds the self-reflexive auteur in inspired form.
Bam gua nat
From Korea's master of irony Hong Sang-soo, this ruthlessly unsentimental comedy of manners follows a feckless Korean painter to Paris, where he screws up the lives of several fellow expats.
Nugu-ui ttal-do anin Haewon
With his unfaltering production schedule delivering a new film every NZIFF season, the prolific Hong Sang-soo continues to charm and delight audiences hip to his perceptive but ever-cynical take on modern relationships.
Yeojaneun Namjaeui Miraeda
U ri Sunhi
The prolific Korean auteur Hong Sang-soo delivers another droll tale of romantic crisis in academia. His latest follows Sunhi, a young graduate, who inadvertently rekindles old flames on a visit back to her alma mater.
Direct from Competition in Cannes. “The arrogance of wealth and power is seen through the eyes of a family employee in [this] stylish follow-up to The Housemaid.” — Hollywood Reporter
Prolific South Korean writer-director Hong Sang-soo’s funniest work, Hill of Freedom is a wry, mostly English-language comedy about a Japanese man who pursues a Korean woman to Seoul, hoping to pop the question.
A housemaid is caught up in the deadly games of her wealthy employers in this stellar, voluptuous remake of a Korean classic, fresh from competition in Cannes. “Slick, polished and sexy.” — Twitch
Japan’s Miike Takashi (Audition, Visitor Q), Korean Cannes winner Park Chan-wook (Old Boy) and Hong Kong’s Fruit Chan (Hollywood, Hong Kong) join forces to showcase their considerable skills in this creepy anthology triptych.
Korean auteur extraordinaire Park Chan-wook (Oldboy) unleashes his frenzied take on a ravenous vampire priest movie. “A truly original take on the vampire film from a true cinematic master.” — Twitch
Banned in China, satire lives in Hong Kong. Five dystopian visions of Hong Kong ten years from now by five independent filmmakers, Ten Years mysteriously disappeared from Hong Kong cinemas after drawing record crowds.
Mogan Do II
Celebrate the opening of That’s Incredible Cinema with this once-only screening of the hilarious and breathtaking Hong Kong mega-hit on the big screen. “A kung fu parody that's also a terrific kung fu movie.” — J. Hoberman, Village Voice
Dae gi eui wang
Adults-only anime from Korea immerses us in a world of bullying at school – and after. “Mightily provocative in its representation of human debasement, this satire on class inequality burns like acid.” — Hollywood Reporter
A seductive tale of a gang pf hyper-stylish pickpockets and the femme fatale who takes them on, from Hong Kong's genre-twisting Johnnie To (Election, Exiled). Starring Simon Yam, Kelly Lin.
Hong Kong action king Johnnie To directs an exhilaratingly heroic bloodshed throwback that reunites the gang from To's previous smash The Mission for a bullet-ridden rumble in Macau.
Pang Ho-cheung (the John Waters of Hong Kong) delivers a deliriously offensive comedy about the lengths a producer will go to secure funding for a feature film. “Lewd, crude and flat-out hilarious.” — Twitch
Chi ming yu chun kiu
“Ever-attuned to the lifestyle choices of contemporary 20-something Hong Kongers, director Pang Ho-Cheung takes the change in smoking laws as his cue for this exuberant romantic comedy.” — Sydney Film Festival
A would-be assassin becomes a desperate man on the run in this latest from Korean genre ace Na Hong-jin (The Chaser). “One of the smartest and most inventive action films this year.” — The Playlist
Great Chinese filmmaker Jia Zhang-ke's documentary companion piece to his latest feature, Still Life (also in Festival), captures the life and monumental canvases of artist Liu Xiao-dong.
Heunggong Yau Gok Holeiwut
The shady Auntie Mei promises eternal youth to all who eat her highly addictive, specially prepared dumplings. Soon demand exceeds supply in this sneakily spiced banquet for connoisseurs of bad taste and political incorrectness.
Far from limping to the finish line, Fearless is 42-year-old kung-fu icon Jet Li’s most ballsy and brutal martial arts flick since his peak Hong Kong period.
“To is back in prime crime form… there's enough juice left at the end for a two-generational trilogy." — Variety
Former Johnny To writer Yau Nai-hoi makes an astonishing directorial debut with this slick, fast and often furious Hong Kong crime caper centring on a high-tech special surveillance unit.
A humorous indie Korean road movie about a young man who drowns his unrequited love with soju (the notorious Korean rice wine) and staggers happily from one misunderstanding to the next.
This witty, involving Korean indie charts the uneasy, incredibly odd friendship that develops between an irascible film scholar and a naïve young Christian.
The director and star of In the Mood for Love return to 60s Hong Kong in this sumptuous romantic sequel. “It's wonderful – a rich, glamorous and acutely human work with superb performances by Leung and the four gorgeous actresses.” — Richard Corliss, Time
In this utterly riveting, twisting, no-holds-barred thriller, an ex-cop turned pimp races against time to locate one of his girls after she’s kidnapped by a serial killer who’s been terrorising the streets of Seoul.
Dung che sai duk
Leslie Cheung, Tony Leung and Maggie Cheung and a who's-who of Hong Kong cinema in a ravishing restored version of Wong Kar-wai's desert swordsman classic, freshly unveiled at Cannes this year.
This enthralling, superbly photographed ecological thriller tells the true story of a group of volunteers pursuing poachers across the bleak expanses of Tibetan wilderness.
Wai dor lei ah yut ho
If you think house prices are a nightmare then check out the grisly house hunt in this macabre horror-comedy from Hong Kong. “Hilarious, outrageously stylish and thoroughly disgusting.” — Salon.com
Shaolin Sanshiliu Fang
This searing suspense drama of a young woman tricked into slavery in a country village is a severely critical portrait of China now.
Gui lai de ren
Shot (beautifully) under the censors’ radar, this semi-autobiographical, semi-documentary by a young expatriate Chinese-Burmese director provides a uniquely close encounter with life in Myanmar/Burma.
In-depth and highly entertaining documentary account of partnership between two successful entrepreneurs: a pushy New York investment banker and a savvy Hong Kong businessman.
Dai Zui Xia
Mogan Do III: Chunggik Mogan
This flawless action film features career-making performances by heartthrob Won Bin (Brotherhood, Mother) and Kim Sae-ron as the child he’s trying to protect. Its action sequences will leave you gasping.
Cheunggong 7 hou
"This utterly beguiling foray into family comedy from Stephen Chow (Shaolin Soccer) may be the tribute to E.T. the gleefully childlike filmmaker has had up his sleeve forever." — LA Weekly
An archetypal tale of an 11-year-old village boy’s misadventures illuminates director Wang Xiaoshuai’s moving recollection of his own childhood during the Cultural Revolution. “A stirring evocation of childhood.” — Variety
Margaret Leng Tan, charismatic diva of the avant-garde piano provides a seriously enlightening crash course in her repertoire in this highly entertaining documentary portrait. “Mesmerising.” — Michael Nyman
Xiao Cheng Zhi Chun
“This sublimely poignant character study will likely… be recognised in time as one of the best Japanese family dramas ever put on film.” — Time Out Hong Kong. From the director of Nobody Knows and After Life.
Ren shan ren hai
Inspired by a true-crime story, this bold and unsettling revenge film takes a road trip down the dark by-ways of modern Chinese society. Director Cai Shangjun won the Best Director Award at Venice for this searing vision of moral decay.
Tony Ayres' poignant autobiographical feature follows the turbulent life of a glamorous Hong Kong nightclub singer (Joan Chen) who emigrates to Melbourne with her two children in 1964.
Beautiful Korean doco about an old farming couple and the ox that has shared their lives and labours for 40 years. “A charming, heartbreaking, existential buddy tale.” — Sundance Film Festival
An inspirational rockumentary about an aging metal band, both funny and heart-warming in equal measure. "It's a hilarious, and unexpectedly moving, documentary about the greatest metal band you've probably never heard of." — Entertainment Weekly
A Soviet roofer is drawn to play a deadly French game. “This diabolical thriller, filmed in inky black and white, is as cold and sharp as razor blades stored in a subzero freezer.” — NY Times
Set in a future where humans convert excrement into energy, this lowbrow, animated action/comedy from Korea is a jet-propelled, politically incorrect and completely vulgar spectacle.
Sarah Hunter’s music-filled documentary is a sharp and lively memento of the jazz-inflected Wellington reggae unit TrinityRoots, with fresh interviews and great footage of the band rehearsing, recording and performing.
Director Shirley Horrocks explores the highly creative and under-rated New Zealand subculture of comics and graphic novels, revealing its rich local history and international following.
Unique, virtually wordless documentary exploring the legacy of poet and folk singer Jivani provides a fascinating, mysterious portrait of Armenian life and traditions.
Shilton ha chok
Incisive award-winning doco interrogates the framing and persistence of the military legal system that rules Palestinians living under occupation in the same territory as Israeli citizens who live under civilian law.
Sarin vi Chu-pok
The great Chinese filmmaker Jia Zhang-ke (The World, Still Life) presents an impressionistic, exquisitely shot documentary on China's (and, by implication, the world's) garment industry.
Ben Whishaw brings moving sensitivity to this lyrical tale of a young gay man tragically bereft of the love of his life and craving reconciliation with his lover’s old-school Chinese-Cambodian mother.
Rang zidan fei
Chow Yun Fat, Ge You and Jiang Wen star in this spectacular, brutally comic blockbuster Chinese Western. “China’s biggest domestic box-office hit to date is a freewheeling romp full of sex, violence, and humor.” — Newsweek
The familiar tale of the rookie crook rising up the ranks by any means possible gets a fresh, invigorating polish in this richly entertaining, emotionally textured Korean gangster movie.
Rich, engrossing backstage documentary. Slavik Kryklyvyy, a former world Latin American dance champion, returns to competition with a new young partner. “Kryklyvyy is a superb physical specimen, and his dancing is sublime.” — Variety
Sydney-based New Zealander Peter O’Donoghue shot, directed and edited this ambivalent, entertaining picture of senior calisthenics and other recreational activity in the leafy public parks of Shanghai and Beijing.
Focusing on the Three Gorges Dam, China's most exciting young director, Jia Zhang-ke (Platform, The World), delivers yet another sublime meditation on the country's ceaseless progress.
Formidable Korean director of The Quiet Family and A Tale of Two Sisters returns with stunning blend of icy noir, ultra-violence and wicked black humour.
Two little Korean girls are the stars of this intimate drama of childhood. “Conveys the joys, worries and hurts of early childhood with keen poignancy and barely a speck of sentimentality.” — Eye Weekly
Directed by Korean genre-star Kim Jee-woon (The Quiet Family and The Good, The Bad, The Weird), the film follows a government agent as he goes off the rails when his fiancée is brutally murdered.
This Korean hit mixes shivers and young romance to come up with something closer to Edward Scissorhands than the Twilight series.
Korean director Park Chan-wook (Oldboy) delivers the third of his phenomenal revenge trilogy, concerning an angelic murderess who guards a deadly secret.
Er shi si cheng ji
Jia Zhang-ke’s (The World, Still Life) doco about a Chengdu military factory becoming a luxury apartment block. “Eloquent testimony to a China that is vanishing with each swing of the wrecking ball.” — Time
In a Chinese mountain village a family of remarkable sisters aged ten, six and four, sustain themselves with minimal adult support in this remarkable doco. “A work of sustained observation and exquisite empathy.” — Cinema Scope
A grieving couple take an interest in the withdrawn young man their son drowned saving in this emotionally intense, but deftly measured drama from South Korea.
Ren Xiao Yao
Mark Hadlow and Jed Brophy stand-off in this trickily plotted thriller about a service station owner who rashly appropriates a stash of stolen drug money.
A mother’s campaign to clear her good-for-nothing son of a murder becomes a superb murder mystery in the expert hands of Bong Joon-ho (The Host, Memories of Murder). With Kim Hye-ja, Won Bin.
From the wonderfully warped mind of Craig Baldwin (Tribulation 99, Sonic Outlaws), a delirious found-footage mash-up obsessing on Californian cultdom, the pre-history of Scientology and the American space race.
Frequently imitated (Crouching Tiger, Hidden Dragon) and never surpassed, King Hu’s spectacular pre-CGI masterpiece of wuxia cinema has been radiantly restored. “The visual style will set your eyes on fire.” — Time Out