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Liliu

This year's Ngā Whanaunga Māori Pasifika Shorts 2019 have been curated by Leo Koziol (Ngāti Kahungunu, Ngāti Rakaipaaka), Director of the Wairoa Māori Film Festival, and guest co-curator Craig Fasi (Niue), Director of the Pollywood Film Festival.

The six films selected for Ngā Whanaunga Māori Pasifika Shorts 2019 are listed below, along with notes from Leo and Craig in italics:

Our Atoll Speaks: Ko Talatala Mai Tō Mātou Wenua

A meditation on sustainability from the remote Pukapuka atoll in the Cook Islands. A serenade of narrative and captivating imagery – a political cry for help. — CF

Ani

A young Māori girl drifts into a world of make-believe when her mother leaves her – and her father – to fend for themselves. A tribute to the realities of solo parenting – touching and insightful. — CF

Liliu

A court interpreter in colonial Samoa risks everything to help a wrongfully convicted chief. In the time of King George VI, it was a time for guardianship of indigenous history as truth. — LK

Ways to See

A young Māori girl trying to reconnect with her absent father reaches out to a mysterious stranger. Hine-nui-te-pō, in her intoxicating beauty and temptation, comes for a visit. — CF

A pregnant woman

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Wednesday 5 June 2019

New Zealand's Best Shorts 2019
Hinekura

Six short films have been selected by Jane Campion as finalists for our annual New Zealand’s Best Short Film Competition.

Finalists will compete for a total of four prizes, with winners to be announced at the closing night event of the Auckland leg of NZIFF. 

The six finalists are Nancy From Now On (dir: Keely Meechan), Krystal (dirBriar Grace-Smith), Egg Cup Requiem (dirs: Prisca Bouchet, Nick Mayow), Golden Boy (dir: Alex Plumb), Our Father (dir: Esther Mauga) and Hinekura (dir: Becs Arahanga).

“It was moving and invigorating to watch the 12 shortlisted short films and experience their energy, raw talent and the occasional truly sophisticated achievement” says Jane Campion. 

Audiences at the New Zealand’s Best screenings in Auckland and Wellington will be asked to vote for their favourite short. The Audience Award winner takes away a 25% share of the box office takings from the New Zealand's Best screenings in the four main centres. In 2018 this prize was valued at $4,800.

Madman Entertainment will again support the title award, the Madman Entertainment Best Short Film Award. The cash prize of $5,000 is donated by the Australasian distribution company. The winner will be chosen by a three-person jury appointed

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Jane Campion NZ's Best Guest Selector
Jane Campion

Jane Campion, a New Zealand film veteran and recipient of prestigious film awards, has accepted our invitation to be Guest Selector for the New Zealand’s Best short film competition.

Six shorts from Aotearoa will premiere in Auckland, Wellington, Dunedin and Christchurch, with audiences in Auckland and Wellington able to vote for their favourite short from Campion’s shortlist. The role of Guest Selector has been filled most recently by filmmakers Leon Narbey (2018) and Gaylene Preston (2017).

Jane Campion, a celebrated Kiwi director, producer and screenwriter, holds the title of the only female director to be awarded the prestigious Palme d’Or at the Cannes Film Festival in 1993, as well as one of four women to be nominated for Best Director at the Academy Awards, in 1994 for The Piano. Having studied at the Australian Film Television and Radio School, Jane has gone on to win a plethora of awards and to direct a dazzling range of projects including her Palme d’Or-winning short film Peel (1982), The Portrait of a Lady (1996) and Bright Star (NZIFF09). She executive produced, co-wrote and co-directed Top of the Lake (2012), a lauded mini-series for the BBC and Sundance Channel. The second series, China Girl

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High Life

We are delighted to reveal the first films from our highly anticipated 2019 programme, which will screen in Palmerston North from 22 August.  

Our early announcement is a melange of styles and subjects.

A space odyssey starring Robert Pattinson and Juliette Binoche, a Lord of the Files-style thriller from Colombia, and a deep dive into New Zealand’s flourishing wine industry feature in the line-up.

We present our first  films for the 2019 programme:

High Life

A forbidding spaceship carrying death row inmates hurtles towards oblivion in Claire Denis’s long-awaited, intensely hypnotic sci-fi opus. “Denis reorients the sci-fi genre around bodies, babies, and black holes in her masterfully mystifying event-horizon nightmare.” — Jessica Kiang, Variety

Read more about High Life.

 

Monos

Like Lord of the Flies by way of Yorgos Lanthimos, this bold, bizarro Sundance sensation takes the feral power struggles of youth gone wild to the misty mountains and lush jungles of Colombia. “Nothing short of an aesthete’s dream; a film crammed with visual bravado that… echoes Kubrick, Malick, and Coppola’s Apocalypse Now.” — Rory O’Connor, Cinevue

Read more about Monos.

 

A Seat at the Table

Savour 100 minutes of eye-popping camera work, picturesque vineyards and gratuitous grape-fondling shots in this glorious

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Haere mai! Meet Marten Rabarts our new Film Festival Director – Kaiurungi
Marten Rabarts

After an international recruitment process that started in December 2018 the New Zealand Film Festival Trust board have confirmed Marten Rabarts (Ngāti Porou / Ngāpuhi), current head of EYE International in Amsterdam, will join the organisation as Film Festival Director – Kaiurungi from October 2019.  


The NZIFF 2019 line-up is taking shape with significant input from Bill Gosden (who retired at the end of March after 40 years of service), and will be delivered by the existing NZIFF programming team which includes Programme Manager Michael McDonnell and Programmer Sandra Reid.


“As so many applicants noted, Bill Gosden left unique and large shoes to fill on his recent retirement after 40 years. From a richly skilled and talented field of applicants, it was such a pleasure to find Marten wished to return to New Zealand and take up the challenge to be the Film Festival Director – Kaiurungi. He brings a wealth of international experience in many aspects of film culture but has always remained firmly connected to his homeland. The NZFFT board were particularly impressed with his passion for creating international opportunities for homegrown talent and amplifying unique voices in cinema, across all his work in sales, production, development and marketing,” says

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