A critical hit in Cannes, Charlotte Wells infuses her exquisite debut with nostalgia and tenderness as she teases out the melancholic undercurrents of a loving father-daughter relationship.
A Catalonian, peach-growing family face upheaval in this moving and nuanced reflection on identity, place and time by Carla Simón (Summer 1993 NZIFF 2017), awarded the Golden Bear at the Berlinale 2022.
This refreshingly authentic depiction of finding love right on your doorstep, and from unlikely directions, abounds with humour and the transformative power of song.
Avec amour et acharnement
Juliette Binoche, Vincent Lindon and Gregoire Colin form a turbulent love triangle as old flames endure in Claire Denis’ sexy and volatile relationship drama.
Walad min al janna
Tarik Saleh deftly explores the tangled state of modern-day Egypt through his firebrand thriller set in Cairo’s Al-Azhar University, the country’s most respected religious teaching institution.
Belgian director Lukas Dhont follows up his award-winning debut Girl (NZIFF 2018) with this deft exploration of the fragile world of childhood bonds, which has already picked up major prizes at Cannes and Sydney.
Marie Kreutzer’s bold and subversive costume drama features an imperious Vicky Krieps as the restless Empress Elisabeth of Austria, struggling to break free from the restrictive confines of courtly life.
Pain is the ultimate pleasure and surgery the new sex in David Cronenberg’s latest provocation, a throwback to his squeamish body-horrors that shocked and delighted NZIFF audiences decades ago.
Park Chan-wook makes a welcome return to NZIFF with this masterful and seductive romantic thriller about an insomniac detective investigating a mysterious widow oddly unconcerned with her husband’s death.
An art-school-dropout drowning in student debt, Aubrey Plaza discovers she has a talent for credit card fraud in this gripping Sundance breakout from first-time writer/director John Patton Ford.
This stunning documentary portrait of French volcanologists Maurice and Katia Krafft is skilfully constructed from their amazing archival footage collected from numerous volcanic expeditions in the 1970s and 80s.
Ralph Fiennes and Jessica Chastain headline a star cast dealing with the fallout from a debauched weekend in Morocco in John Michael McDonagh’s blackly comic skewering of privilege.
With unprecedented access, filmmakers Noel Smyth and Fergus Grady lift the lid on the secretive Gloriavale Christian Community following a family of survivors searching for justice.
Vanskabte Land/Volaða Land
Icelandic filmmaker Hlynur Pálmason follows up A White, White Day (NZIFF 2019) with this stunning historical epic which recalls the grandeur and madness of Herzog at his best.
El buen patrón
Javier Bardem, renowned for his memorable portrayals of villains in No Country for Old Men and Skyfall, adds another sinisterly charming, immoral character to his repertoire as the titular “good boss” in this dark Spanish satire which bagged all the top awards at the 2022 Goyas (the Spanish Oscars).
A documentary deep-dive into the life and legacy of legendary Canadian singer/songwriter Leonard Cohen told through the prism of his most anthemic and well-known song.
An unconventional portrait of an unconventional author that not only chronicles the extraordinary life, work and legacy of Kurt Vonnegut but also his decades long friendship with the filmmaker who set out to document it.
Reaping top awards at the 2022 Césars, this majestic, lavish fresco adapted from Balzac’s masterpiece paints a cruel portrait of 19th century Parisian society and the burgeoning world of the press, which has startling contemporary overtones.
Meet Marcel, a tiny talking shell, on a big-hearted big-screen stop-motion adventure, as tender and funny as it is insightful and poignant.
Tennis legend John McEnroe dishes on the highs and lows of his epic career and how his drive for perfection nearly broke him in this engaging doco packed with amazing archival footage and rare insight.
A vivid first-hand portrait of the New York music scene of the early 00s featuring era-defining groups like The Strokes, Yeah Yeah Yeahs and LCD Soundsystem.
We are delighted to open this year’s edition with the World Premiere of Tearepa Kahi’s film Muru.
This staggering, fly-on-the-wall portrait of the charismatic anti-corruption activist Alexei Navalny, filmed in secret following an assassination attempt on his life, is one of the year’s most electrifying films.
Un beau matin
Léa Seydoux stars as a busy single mom, juggling caring for her daughter and her ailing father, who finds love in unexpected circumstances in Mia Hansen-Løve’s nimble romantic drama.
Two secret agents from enemy Kingdoms are sent to a world on the brink of a terrible war where they have one important mission: to find the Perlimps, mysterious creatures who can ultimately bring peace.
Seventeen-year-old boxer Jim carries the hopes and dreams of his father on his shoulders, but his growing relationship with local takatāpui Whetu forces him to confront the truth about his sexuality and choose his own future.
Based on Denis Johnson’s cult novel, Margaret Qualley and Joe Alwyn star in this heady and alluring romantic thriller from NZIFF fave Claire Denis, directing her second English-language feature.
Joel Edgerton and Sean Harris deliver brooding performances as predator becomes prey in up-and-coming director Thomas M. Wright’s dark and intense Australian true crime drama.
Gilded privilege comes a cropper when abruptly confronted by less luxurious reality in this brilliantly orchestrated satire awarded the Palme d’Or 2022.
To sit, to listen to witness. Starting points for a multi-layered journey bring you to the brink of interaction between cultures, then, now, and what may be. Set in various flashpoints in time.
A gloriously animated fantasy reimagining of Anne Frank’s story from the lauded director of The Congress (NZIFF 2013) and Waltz with Bashir (NZIFF 2008).
In 19th century Macedonia, a young shapeshifting witch learns what it means to be human by inhabiting the lives of others in this one-of-a-kind feature debut from Australian-Macedonian filmmaker Goran Stolevski.