Deception abounds in this nuanced portrait of lies and loss when a middle-aged woman discovers her recently deceased husband led another life in France, contradictory to the pious Muslim home they built together in England.
A filmmaking couple navigate love, recognition and Ingmar Bergman in Mia Hansen-Løve's triple-layered Cannes darling, a serene and self-reflective ode to film and storytelling.
Hytti nro 6
Two strangers connect in the intimate confines of a train compartment in Juho Kuosmanen’s arresting sophomore feature.
Documentarian Julien Temple explores the close ties between Shane MacGowan, Ireland’s beloved punk poet, and his home country’s tumultuous history.
Andrey Konchalovsky’s tense political drama, a Venice prize-winner beautifully shot and rich with historical detail, tells the story of an infamous 1962 Soviet massacre and its attempted cover-up.
“An impassioned film with an unflinching Indigenous and feminist perspective.” — Sarah Ward, Screendaily
The unique power of Australia’s Bangarra Dance Theatre, an Aboriginal and Torres Strait Islander performing arts organisation, fuels this artful documentary by Wayne Blair and Nel Minchin.
A thrilling tale of resilience, Sundance Grand Jury Prize-winner Flee is just as interested in the quiet toll trauma takes on survivors as it is the extraordinary acts that ensured their survival.
A soon-to-be-demolished social housing estate, named after Yuri Gagarin, in the Parisian banlieue provides the earthly anchor for weightless flights of fancy in this wondrous and moving debut feature.
Die Grosse Freiheit
In post-war Germany, Hans is repeatedly convicted for being gay. Over his many stints in prison, he develops a tumultuous friendship with Viktor. A moving film about the forces that conspire to destroy one man’s freedom.
Winner of the Golden Lion for Best Film at the 2021 Venice International Film Festival, Happening is a powerful and timely abortion drama, executed precisely by director Audrey Diwan.
Set against the vibrant backdrop of urban Shiraz, an affable but desperate prisoner is almost undone by a ‘selfless’ gesture that goes viral.
Debut director Panah Panahi’s stunning Iranian road movie wowed critics at Cannes with its rich emotional nuance and sly political critique.
Ich bin dein Mensch
An archaeologist reluctantly agrees to test-run a humanoid love robot programmed to fulfil her desires in this poignant comedy starring Downton Abbey’s Dan Stevens.
Two strangers explore the pleasures and pitfalls of platonic friendship while bonding over online Spanish lessons in this intimate, expressive drama shot during lockdown over video-chat calls.
Melancholic, atmospheric and heartfelt, Ben Sharrock’s feature exploring immigrants awaiting asylum eschews conventional approaches to stories of the modern refugee crisis to create something profound and surprising.
Fran Kranz’s highly accomplished debut feature takes an unflinching look at the endemic horror of school shootings in America and their lingering scars, through the eyes of the parents of the perpetrator and his victim.
Follow Tilda Swinton on a strange supernatural journey into the Colombian jungle, in this hypnotic new film from the director of Uncle Boonmee Who Can Recall His Past Lives and Cemetery of Splendour.
The biggest player in the New Zealand economy is put on notice in this spirited documentary that sees a young activist from rural Northland go up against the powerful dairy industry.
After missing her flight to a prestigious internship, an anxiety-ridden architecture grad fakes being in New York while lying low in her home town scrounging for another ticket.
Based on the 2014 memoir, My Salinger Year is The Devil Wears Prada for the literary world, a young woman’s coming of age as she balances her writing ambitions with her new job at a major New York City literary agency.
Check out the year’s best New Zealand short films as chosen by this year’s guest selector, Kerry Fox, from a total of 117 submitted entries.
Our premium collection of Māori and Pasifika short films from the gifted storytellers of Moana-nui-a-kiwa.
La nuit des rois
If a young man cannot command an inmate-run prison with his storytelling, his first night behind bars promises to be his last in this lush, striking and unexpected tale that blends magical realism with current affairs.
The first Australian film featured in Cannes’ Official Selection in a decade, Justin Kurzel’s disturbing dive into the tormented mind and soul of a mass-shooter is bolstered by four remarkable lead performances.
Yi miao zhong
One of China’s premier filmmakers delivers his love letter to cinema, set during the Cultural Revolution of his youth. Warm, funny and (despite rumoured political censorship) surprisingly sharp-edged.
Jacques Audiard’s charming exploration of the tangled work and love lives of three young Parisians is a beautifully-crafted love letter to the classics of French New Wave.
Patu! is the definitive film of the 1981 Springbok tour protests, a technically complex piece of guerrilla filmmaking that explicitly connects apartheid abroad and racism at home. Newly preserved by Ngā Taonga Sound & Vision.
Moving with the breathless intensity of a political thriller, this disturbing document of potential voter fraud in the 2018 Zimbabwe election is elevated by astonishing access to key players behind-the-scenes.
This pressure-cooker Oscar nominee for Best Foreign Film puts viewers on the frontlines of an impending massacre in the Bosnian genocide – with harrowing power.
Recently widowed and grieving, army officer Markus (Mads Mikkelsen) proves vengeance is a dish best served bold in this dark — and comic — take on the revenge thriller from Oscar-winning Dane, Anders Thomas Jensen.
Let this exultant ode to the life-sustaining waterways that criss-cross our planet wash over you, captured in jaw-dropping imagery by Mountain director Jennifer Peedom.
The life of celebrity chef Anthony Bourdain was about so much more than just food, as affectionate documentary Roadrunner illustrates in interviews with those whose lives were touched by the curious, convivial rover.
An uplifting documentary featuring Māori and Pākehā kaitiaki repo, or swamp guardians, working across the motu to restore Aotearoa’s precious wetlands.
La boda de Rosa
A tonic for the nerves, Rosa’s Wedding is an uplifting and spirited ode to loving thyself, drenched in the dreamy seaside sunshine of the Costa del Azahar.
Tracing the story of one of our more complex characters, this layered portrait re-examines the exploits of influential outsider, Dutch immigrant artist Theo Schoon, told in his own words and through first-hand accounts.
This queer coming-of-age romance combines all the sensuality of François Ozon’s best with the infectious energy of a CW drama and how meeting one person can open you up and change the trajectory of your life.
In love, newly engaged and maintaining a long-distance relationship, director Jan Oliver Lucks and his fiancée decide to throw traditional rules out the window by opening up their relationship before they tie the knot.
“Titane is coming, and it’s coming to fuck you up." — Jessica Kiang, The Playlist
A love letter to a rapidly vanishing world: this gentle documentary follows a handful of elderly men who, with their beloved dogs, comb the forests of Northern Italy on the hunt for a rare culinary delicacy.
This captivating tale of fated lovers, drawing on myth and fantasy, is also a love song to Berlin.
Equipped with keen intelligence and a big heart, lawyer Jeffery Robinson educates and challenges in equal measure, giving voice to the silenced and seeking acceptance of racist realities in pursuit of lasting change.
Our Bill Gosden tribute wouldn’t be complete without a wall-to-wall Technicolor classic. Bill’s love of early cinema, vibrant studio-era musicals, and frankly anything starring Elvis could be felt throughout his retrospective programming, not least in the carefully curated Live Cinema events he looked forward to most. Douglas Sirk, Hollywood’s unrivalled melodramatist, influenced some of Bill’s absolute favourites — Fassbinder and Almodóvar, most famously — and this presentation of one of the director’s late masterpieces is a fitting occasion to luxuriate in larger-than-life filmmaking on the biggest screen available, as only Bill would have it.