Aniara 2018

Directed by Pella Kågerman, Hugo Lilja Fresh

Darkly poetic and visually arresting, Swedish duo Pella Kågerman and Hugo Lilja’s sci-fi film follows the fate of a marooned colony vessel and its doomed passengers.

Jul 20

Event Cinemas Westgate

Jul 22

Hollywood Avondale

Jul 23

ASB Waterfront Theatre

Jul 26

ASB Waterfront Theatre

Sweden In Swedish with English subtitles
106 minutes DCP
R16
Sex scenes, nudity, violence, drug use & suicide

Producer

Annika Rogell

Screenplay

Pella Kågerman
,
Hugo Lilja. Based on the novel by Harry Martinson

Photography

Sophie Winqvist Loggins

Editors

Björn Kessler
,
Pella Kågerman
,
Michal Leszczylowski

Production designers

Linnéa Petterson
,
Maja-Stina Åsberg

Costume designer

Ellen Utterström

Music

Alexander Berg

With

Emelie Jonsson (MR)
,
Arvin Kananian (Chefone)
,
Bianca Cruzeiro (Isagel)
,
Anneli Martin (the astronomer)
,
Jennie Silfverhjelm (Libidel)
,
Peter Carlberg (Chief engineer)
,
Emma Broomé (Chebeba)

Festivals

Toronto 2018
,
San Francisco 2019

Elsewhere

Based on Harry Martinson’s scarily prescient epic poem on intergalactic doom, Aniara imagines the existential crisis of a human race without a planet to call home. The alternative? A shopping mall in space. With stark similarities to Claire Denis’ sensual and nightmarish High Life, this eerie Swedish sci-fi odyssey is a stunningly realised vision of cosmic despair.

“[In] Aniara, a spacecraft designed to make the voyage from a ruined Earth to a colony on Mars hits both debris and disaster. The turbulence from the impact soon passes, allowing the ship… to stabilize. The film’s plucky protagonist, MR (Emelie Jonsson), returns to her job with the crew – placating anxious passengers with images of Earth before fires turned the blue marble brown. But once it becomes evident that the ship ejected its fuel… it is impossible to dream away brutal reality: Without fuel, the Aniara and its passengers are doomed to drift in the infinite emptiness of space.” — Teo Bugbee, NY Times

“A masterful example of smart, relevant sci-fi cinema… is a spectacular debut of great emotional and intellectual depth, of immense narrative scope and scale, and of gorgeous visual artistry.” — Mark Hughes, Forbes