She Shears 2018

Directed by Jack Nicol Aotearoa

Presented by Miss Conception films, who focus on female-led stories, this fresh dispatch from the heartland introduces two legendary shearers – and three in the making – as they head for black-shirt glory at the Golden Shears.

Session dates and venues to be announced
79 minutes DCP
E

Director

Producers

Georgina Allison Conder
,
Ainsley Gardiner

Screenplay

Jack Nicol

Photography

David Russell

Editor

Gretchen Peterson

Music

Stephen Gallagher

With

Jills Angus Burney
,
Hazel Wood
,
Catherine Mullooly
,
Pagan Karauria
,
Emily Welch

Jack Nicol will present his film in person at its NZIFF screenings.

When a Kiwi girl sets her heart on becoming a shearer there’s not a lot that’s going to stop her, as the five women profiled in this lively doco happily testify. Central Otago’s Pagan Karauria admits it was tough getting a gig at the start, but with her champion dad staunchly behind her, she’s made the shearing shed the focus of her career, not just as a competitive shearer, but as an ace wool sorter and mentor to other young women. Catherine Mullooly, from the King Country, packs her skills for some enterprising OE. With whānau solidly backing them, each of these women strive, more than anything, to better themselves.

For legends, Jills Angus Burney and Emily Welch, personal bests have been world records. Encouraged to quit in her 50s by her orthopaedist, Angus Burney found a second career as a High Court barrister and solicitor, but you can’t keep her away from the Golden Shears, the world’s top shearing competition.

There’s no special category for women in this sport. For Ruawai’s Hazel Wood, busting to escape the world of dairy conversion, the competition represents a first foot on the ladder. Pagan’s student Anne Maree makes good on her promise to look good and have fun on the competition floor. Pagan herself claims she’s bent on placing ‘first or second’, though her true determination lies in beating the terrible internal injuries suffered in a road accident.

While the Golden Shears comperes freestyle with verbal flair on a flying fleece or a kicky ewe, director Jack Nicol applies camera poetry to the agility, strength, skill and rhythmic grace of women wielding blades of steel.