Premiering at Sundance earlier this year, Paloma Schneideman’s coming-of-age debut launches our festival with a tender portrait of 14-year-old Sid, as she tentatively traverses insecurity, identity and desire during the summer of 2006.
Films — by Language
English
Do You Love Me
A striking panorama of national collective memory told entirely through archive material in this playful, immersive journey through Lebanon’s history and culture.
Everybody Digs Bill Evans
Grant Gee was awarded Best Director at the Berlinale for this intense, fragmentary and inventive portrait of Bill Evans, in an interval of the American jazz great’s career when he grappled with grief and opioid addiction.
Father Mother Sister Brother
Indie cinema’s long-time King of Cool Jim Jarmusch finds mystery and melancholy alike in this triptych of family short stories, each grappling with the weight of shared history.
Lomu
Rugby's first global superstar was also one of its most private — a shy, gentle giant caught between two worlds, whose story mirrors Aotearoa's own coming of age.
Mum, I’m Alien Pregnant
Directing duo THUNDERLIPS add another comedy horror classic to the Kiwi film canon in this tale of an accelerated extraterrestrial pregnancy, packed with some outrageously off-kilter visual effects!
Mysterious Skin
Newly restored, Gen-X icon Gregg Araki’s remarkable, aggressively over-censored coming of age classic grapples with the enduring spectre of child sexual abuse, presenting one of the auteur’s bleakest but most essential visions.