Kala azar 2020

Directed by Janis Rafa Spotlight

Working to care for dead animals, a young couple collect deceased pets from people’s homes, while also scavenging for neglected roadkill, in Greek video artist Janis Rafa’s uncanny first feature film.

Jul 29

Ends at

Greece / The Netherlands In Greek with English subtitles
88 minutes VOD
VOD M
Sex scenes, nudity & some scenes may disturb

Director/Screenplay

Producer

Digna Sinke

Photography

Thodoros Mihopoulos

Editor

Patrick Minks

Production designer

Elena Vardava

Costume designer

Vasilis Barbarigos

Music

LOOR
,
Gwilym Sainsbury

With

Pinelopi Tsilika (female)
,
Dimitris Lalos (male)
,
Michelle Valley (mother)
,
Tassos Rafailidis (father)
,
Oğuz Han Kaya (Oğuz)
,
Gökhan Kaya (worker)
,
Maria Alliferi (woman with dead fish)
,
Adrian Frieling (brother with dead bird #1)
,
Martin Benge (brother with dead bird #2)
,
Nikos Pantelidis (director of crematorium)
,
Antonis Tsiotsiopoulos (hunter)
,
Pavlos Kourtidis (security guard at crematorium)
,
Lenika Arfani (veterinarian)

Festivals

Rotterdam 2020

Awards

KNF Award, Rotterdam International Film Festival 2020

Elsewhere

A defiantly singular addition to the Greek New Wave canon, even by star alumnus Yorgos Lanthimos’ standards, Kala azar fuses the seemingly incongruous worlds of humans and animals to striking effect. Centred on Penelope and Dimitris, nomadic lovers who work for a crematorium service, the film follows their daily routine of house calls to bereaved pet owners, and more surreptitiously, their eye for the corpses of stray animals, an allusion to the titular disease that has killed many canines across the Mediterranean.

The grim pragmatism of their job masks a sincere commitment to respectfully sending off dead animals. Although director Janis Rafa never shies away from the miasma of the life and death cycle, there’s equal attention given to the wellbeing of animals, and to well-meaning characters – like Penelope’s parents, seen living in filthy domestic bliss with a pack of dogs – who seek genuine cohabitation between species. This raw and improbably beautiful film, a top prizewinner at the Rotterdam International Film Festival, is also uniquely tactile in its visual language, tracing the bodies of humans and animals within a stark environment as if they were endlessly connected landscapes.

About the Filmmaker
Janis Rafa is a Greek artist whose moving image work walks a fine line between subjective interpretation and the authentic representation of landscapes and events. In 2013, she created the Three Farewells trilogy. Kala azar is her debut feature.