Loveling 2018

Benzinho

Directed by Gustavo Pizzi World

In a role written with her director husband, Brazilian actress Karine Teles (The Second Mother) is utterly captivating as a full-time wife, sister, aunt, and mother (of four) with chaos management skills to match.

Jul 27

Reading Cinema 5

Jul 30

The Roxy Cinema

Aug 03

Reading Cinema 5

Aug 04

Reading Cinema 5

Aug 07

Penthouse Cinema

Aug 10

Penthouse Cinema

Brazil In Portuguese with English subtitles
98 minutes CinemaScope/DCP
M
offensive language

Director

Producers

Tatiana Leite
,
Gustavo Pizzi

Screenplay

Gustavo Pizzi
,
Karine Teles

Photography

Pedro Faerstein

Editor

Livia Serpa

Production designer

Dina Salem Levy

Costume designer

Diana Leste

Music

Dany Roland
,
Pedro Sá
,
Maximiliano Silveira

With

Karine Teles (Irene)
,
Otávio Müller (Klaus)
,
Adriana Esteves (Sônia)
,
Konstantinos Sarris (Fernando)
,
César Troncoso (Alan)
,
Artur Teles Pizzi (Fabiano)
,
Francisco Teles Pizzi (Matheus)
,
Vicente Demori (Thiago)
,
Luan Teles (Rodrigo)

Festivals

Sundance
,
Rotterdam 2018

Certain travails of motherhood are embraced with buoyant good humour and poignancy in this film written by husband and wife team, director Gustavo Pizzi and lead actress Karine Teles (The Second Mother).

Irene (Teles) has four sons. The youngest are six-year-old twins, played by Teles and Pizzi’s sons. (The abundance of first-hand experience clearly informing the film extends to the casting.) Middle boy Rodrigo (played by Teles’ nephew) is overweight and permanently attached to his tuba, while the apple of everybody’s eye, 17-year-old Fernando (charismatic Konstantinos Sarris) is an ace high school athlete. Irene also plays mother to her sweet but impractical husband, Klaus. Miraculously she has carved out some space for herself, studying to complete the high school diploma she long ago abandoned to take up work as a maid.

When Fernando announces that he wants to leave home, Irene is blindsided. Like many before her, she does not rise to the occasion. Loveling’s winning shrewdness lies in understanding all too well that awkward rites of passage are not for 17-year-olds only.

“The first pangs of empty nest syndrome hit the devoted, exuberant mom at the center of Loveling, a captivating portrait of the joys and aches of family life. Karine Teles brings ferocious warmth and humor to the lead role… She creates an exceptionally sympathetic focal point for a story that embraces the messy tenderness of life as it’s lived.” — Sheri Linden, Hollywood Reporter

Screening With This Feature

Mum Jeans 2018

Director

8 minutes

A new mum struggles to find a balance between individualism and motherhood.