I’ve already seen and written about a dozen or so essential films in this year’s bumper NZIFF programme – but I’m absolutely saving these highlights for the big screen. Special mention goes to Cold Water, one of the great films of the 90s, and an exclusive treat for Aucklanders celebrating the Festival’s 50th year in the city.
Films — by Collection
- Letterboxd
- Newshub: The 12 Most Exciting Films at NZIFF
- Staff Picks: Alice Vilardel
- Staff Picks: Ant Timpson
- Staff Picks: Bex Shannon
- Staff Picks: Bill Gosden
- Staff Picks: Camila Araos-Elevancini
- Staff Picks: Ina Kinski
- Staff Picks: Jane Simons
- Staff Picks: Jean Teng
- Staff Picks: Kailey Carruthers
- Staff Picks: Karen Cartwright
- Staff Picks: Liam Reid
- Staff Picks: Matt Wilshere
- Staff Picks: Megan Andrews
- Staff Picks: Nick Paris
- Staff Picks: Rebecca McMillan
- Staff Picks: Sally Woodfield
- Staff Picks: Sandra Reid
- Staff Picks: Sharon Byrne
- Staff Picks: Tim Wong
- Staff Picks: Zoe Pattinson Fan
- Wellington Film Society
Staff Picks: Tim Wong
Climax
Direct from Cannes, the latest sensation from French cinema’s premier provocateur Gaspar Noé (Enter the Void) is his best yet, an exhilarating 1990s techno dance musical that spins out into collective freak-out.
Happy As Lazzaro
Lazzaro felice
Direct from Cannes where it shared the Best Screenplay award for its amazingly inventive script, Alice Rohrwacher’s seductive rural fable applies fairy-tale logic to explore the troubled soul of Italy.
Mirai
Mirai no Mirai
Direct from Cannes, this charming For All Ages anime from Hosoda Mamoru (Wolf Children, The Boy and the Beast) takes a richly imaginative toddler-eye view of a new arrival in the family.