NZIFF guest, Melbourne archivist and filmmaker Sari Braithwaite’s provocative documentary is stitched together entirely from film footage cut by Australian censors.
Rising stars Barry Keoghan (The Killing of a Sacred Deer) and Evan Peters (American Horror Story) lead this enthralling true-crime thriller that is as thematically probing as it is straight-up propulsive.
Himself a former Jehovah’s Witness, writer/director Daniel Kokotajlo provides an insider’s critique in this dramatic tale of mother and daughter torn between faith and instinct.
An ingenious and twisted blend of crime drama and supernatural romance, this thrillingly unpredictable Swedish film from the writer of Let the Right One In delivers a fresh spin on Nordic mythology.
This early triumph from French director Olivier Assayas (Clouds of Sils Maria, Personal Shopper) centres on two doomed teenage lovers swept away by the nervous musical energy of 1970s countercultural Paris.
A universally adored, very loving but somewhat clueless Portuguese soccer star is co-opted for nefarious political ends in this outrageously bonkers satire of vacuous media and surging nationalism in Europe.
Da xiang xi di er zuo
The first, and tragically only, film from Chinese novelist turned filmmaker Hu Bo is an ambitious and unforgettable film, reminiscent of the works of modern masters like Jia Zhangke and Béla Tarr.
An Israeli family wrestles with loss as soldiers at a remote checkpoint battle ennui in this daring, visionary tragidrama from the director of Lebanon. Winner of the Venice Film Festival’s Grand Jury Prize.
As boas maneiras
Social satire meets secret love meets beastly fairy tale in this wickedly assured shape-shifter from Brazil. (To guarantee maximum viewing pleasure, avoid the year’s most spoiler-ridden trailer. Seriously.)
Guy Maddin’s latest cinematic fever dream is a madcap medley of excerpts from Hollywood movies and TV shows, re-edited into a lost surrealist melodrama inspired by Hitchcock’s Vertigo.
In this shimmering, controversy-stoking debut from Danish director Isabella Eklöf a gangster’s trophy girlfriend puts her body on the line for an Aegean holiday, bling, boats – and maybe a hand on the tiller.
Two autistic adults strike up a transformative relationship in Rachel Israel’s charming comedy, based on the romantic adventures of her unlikely star.
Bracingly fresh and riotously entertaining, this portrait of a talented young actress torn between her overbearing mother and an ambitious director stars Miranda July, Molly Parker and striking newcomer Helena Howard.
This beautifully observed account of love, loss and renewal eschews drama to contemplate the everyday world of a young woman on the economic fringes, and tenderly extols her stoic capacity for love and happiness.
Fresh and brave, Kenyan director Wanuri Kahiu’s tender, exuberant teenage lesbian coming-out tale has been banned in Kenya and celebrated in Cannes.
Not the first film to unfold completely on computer screens, just the most exciting and emotionally resonant, this crime thriller takes us on a father’s (John Cho) frantic online search for his missing daughter.
The Wolfpack director Crystal Moselle returns with a free wheeling, often funny fiction debut about young female skateboarders in New York City, featuring real-life crew Skate Kitchen.
A controversy magnet across the ditch, this savage pop culture remix by art collective duo Soda_Jerk flies fearlessly in the face of Australia’s sanctioned history and national identity.
A deftly made, delightfully illustrated, femme-focused animated film from Colombia about growing up in a decidedly unconventional family. Winner of the Audience Award for foreign films at SXSW 2018.
A beautifully photographed, captivating expression of hardscrabble family life and a sensitive boy’s growing self-awareness, this inspired adaptation of a remarkable book evokes memory and imagination in equal effect.