Staff Picks: Rebecca McMillan

In Paul Dano’s ace directing debut, Carey Mulligan and Jake Gyllenhaal capture the cracks that occur in a marriage when a young wife kicks against the constraints of 1950s domesticity.

“In an intriguing film noir full of white light reflecting off virginal dresses, polished surfaces and sparkling sand, director Vivian Qu probes the status of girls in Chinese society.” — Kate Taylor, Globe and Mail

This thrillingly flamboyant film explores British designer Alexander McQueen’s humble beginnings, his tight knit band of collaborators, his creative genius – and exalts the disturbing splendour of his work.

Rising stars Barry Keoghan (The Killing of a Sacred Deer) and Evan Peters (American Horror Story) lead this enthralling true-crime thriller that is as thematically probing as it is straight-up propulsive.

Franz Rogowski (Victoria, Transit) and Sandra Hüller (Toni Erdmann) head a superb cast in this tender, lyrical film about friendship and romance on the night shift in a wholesale market.

The Wolfpack director Crystal Moselle returns with a free wheeling, often funny fiction debut about young female skateboarders in New York City, featuring real-life crew Skate Kitchen.

This year’s surprise Cannes Palme d’Or winner is one of Japanese director Kore-eda Hirokazu’s finest films, about a loving, unconventional family making ends meet on the margins of Tokyo.

Stunningly restored after years of neglect, the quintessential cult item of 1982 drills into a gender fluid New York New Wave club scene of fashionista warfare, hard drugs and extra-terrestrial visitation.

“Panos Cosmatos’ follow-up to Beyond the Black Rainbow is a gloriously lurid mock-80s revenge quest that aims a raging, roaring Nicolas Cage at villains from another dimension.” — Katherine McLaughlin, Sight & Sound

An ingenious and twisted blend of crime drama and supernatural romance, this thrillingly unpredictable Swedish film from the writer of Let the Right One In delivers a fresh spin on Nordic mythology.

“Stylish swagger goes full-tilt boogie in Let the Corpses Tan, the latest delirious exercise in lovingly retro pastiche from (NZIFF guests) Hélène Cattet and Bruno Forzani.” — Neil Young, Hollywood Reporter

Belgian filmmaker Lukas Dhont won the award for best first feature at Cannes with this empathetic, emotionally rich portrait of a 15-year-old trans girl who aspires to become a ballerina.

A love triangle and mystery based on a Murakami Haruki short story, Korean great Lee Chang-dong’s (Secret Sunshine,  Poetry) latest was the best-reviewed film at Cannes, an unforgettable now-or-never must-see on the giant Civic screen.

The first, and tragically only, film from Chinese novelist turned filmmaker Hu Bo is an ambitious and unforgettable film, reminiscent of the works of modern masters like Jia Zhangke and Béla Tarr.