Cría cuervos 1976

Raise Ravens

Directed by Carlos Saura World

Ana Torrent, surely one of the screen’s most compelling child actors, and Geraldine Chaplin as her mother are unforgettable in Carlos Saura’s unique and haunting evocation of an eight-year-old girl’s fears and fantasies.

Aug 02

ASB Waterfront Theatre

Aug 05

ASB Waterfront Theatre

Spain In Spanish with English subtitles
109 minutes DCP
M
content may disturb

Director/Screenplay

Producer

Elías Querejeta

Photography

Teodoro Escamilla

Editor

Pablo G. Del Amo

Production designer

Rafael Palmero

Costume designer

Maiki Marin

Music

Federico Mompou

With

Geraldine Chaplin (Ana, the mother)
,
Mónica Randall (Paulina, the aunt)
,
Florinda Chico (Rosa)
,
Ana Torrent (Ana)
,
Héctor Alterio (Anselmo)
,
Germán Cobos (Nicolás)
,
Mirta Miller (Amelia)

Festivals

Cannes 1976; Auckland 1978

Awards

Grand Prix, Cannes Film Festival 1976

Elsewhere

Auckland 50

Here is one of the great films of our first decade – and one of the great film portraits of childhood full stop. Coming at the end of an era when every Spanish film worth its salt was an encrypted dispatch about life under Franco, Cría cuervos, shot the year of his death, beguiles with its evocation of a child’s imagination, and mysterious affinities between mother and daughter. Be warned: it famously leaves audiences as addicted as its young protagonist to the Spanish pop song ‘Porque te vas’.

 “An exquisitely made and deeply affecting film, told from the viewpoint of children, which has guilt and trauma running through its delicate veins… Eight-year-old Ana (Ana Torrent) is the middle of three sisters, and we meet her in her well-off and conservative family’s claustrophobic Madrid home just as her ex-soldier father, Anselmo (Héctor Alterio), dies – joining her pale, weak mother, Ana (Geraldine Chaplin, seen in flashbacks), who passed away not long before.

Ana is convinced she is responsible for her father’s death, and we see a number of episodes, past and present, real and fantastical, which sketch her uneasy position in a world where children are party to adultery, patriarchy, unhappiness, conflict and scary raw chicken feet in the fridge. The performances of the children – especially Torrent, who has a haunting, old-beyond-her-years presence – are exceptional, and writer/director Carlos Saura moves us with a gentle, poetic ease through the film’s many complex realities.” — Dave Calhoun, Time Out