To me, the best way to enjoy NIZFF is to let yourself be surprised. So my watch list is a mixture of films made in different corners of the world, a blend of genres and a few intriguing, original titles - because who wouldn't want to watch a movie called Patti Cake$?
- At the Movies: Bill Gosden and Simon Morris
- Bill Gosden’s Guide to NZIFF 2017
- Coup De Main
- Metro: David Larsen
- Staff Picks: Abby Cattermole
- Staff Picks: Alice Vilardel
- Staff Picks: Ant Timpson
- Staff Picks: Beck Eleven
- Staff Picks: Hedda ten Holder
- Staff Picks: Ina Kinski
- Staff Picks: Jo Scott
- Staff Picks: Kailey Carruthers
- Staff Picks: Kezia Dwyer
- Staff Picks: Manali Bhatia
- Staff Picks: Michael McDonnell
- Staff Picks: Miles Chan
- Staff Picks: Nick Paris
- Staff Picks: Rebecca McMillan
- Staff Picks: Sandra Reid
- Staff Picks: Tim Keats
- Staff Picks: Tim Wong
- The Residents: Lucy Revill
- Wellington Film Society
Jean-Louis Trintignant is the failing patriarch and Isabelle Huppert his daughter in this satirical dissection of a powerful French construction dynasty from Austrian director Michael Haneke (Amour, Caché).
Set in Zambia, the birthplace of writer-director Rungano Nyoni, this strange, engrossing feature addresses the continuing marginalisation of ‘witches’ and revolves around a nine-year-old girl accused of witchcraft.
Andrey Zvyagintsev (Leviathan) won the Cannes Jury Prize for his stark and gripping tale of a divorcing couple caught in a missing-child procedural.
My Life As a Zucchini
This soulful and subversive Oscar-nominated feature uses stop-motion animation to tell the story of an orphan named Courgette. From the key animator on Fantastic Mr Fox, and adapted for the screen by Girlhood’s Céline Sciamma.
Music video director Geremy Jasper launches an unlikely rap star – a plus-size, white New Jersey rapper played by Aussie sensation Danielle Macdonald – in this high-energy feature debut.
Colin Farrell plays a wounded Civil War mercenary under the care of a commune of young women, led by Nicole Kidman, in Sofia Coppola’s beautiful, feminist take on Don Siegel’s 1971 Southern Gothic psychodrama.
“This sketch of an ambitious Westminster politician and dinner-party hostess (Kristin Scott Thomas), whose life comes spectacularly apart before the canapés are even served, is a consummate drawing-room divertissement, played with relish by a dream ensemble.” — Guy Lodge, Variety
Eight Māori female directors have each contributed a sequence to this powerful and challenging feature which unfolds around the tangi of a small boy who died at the hands of his caregiver.
One of the most immersive and rarefied experiences in all cinema, Andrei Tarkovsky’s Stalker embarks on a metaphysical journey through an enigmatic post-apocalyptic landscape. Newly restored.