The Lumière Reader

In three parts, with multiple stories, Portuguese director Miguel Gomes’ epic Arabian Nights was easily the most original, ambitious – and most critically acclaimed – film at Cannes this year.

In three parts, with multiple stories, Portuguese director Miguel Gomes’ epic Arabian Nights was easily the most original, ambitious – and most critically acclaimed – film at Cannes this year.

In three parts, with multiple stories, Portuguese director Miguel Gomes’ epic Arabian Nights was easily the most original, ambitious – and most critically acclaimed – film at Cannes this year.

Shu Qi plays the eponymous killer in this ravishingly beautiful foray into historical martial arts territory from Taiwanese master Hou Hsiao-hsien. Winner of the Best Director Award at Cannes.

An exuberant return for veteran Filipino filmmaker Kidlat Tahimik, this mock historical epic-cum-freeform documentary tells the story of Enrique of Malacca, who was arguably the first person to circumnavigate the earth.

A hospital full of sleeping soldiers is haunted by matters both historical and intensely personal in the latest gentle and entrancingly beautiful cinematic enigma from the Thai Palme d’Or winner Apichatpong Weerasethakul.

A demented mash up of lurid, long-lost movies that never existed, this new work from Canadian genius Guy Maddin plunges a starry art house cast into phantasmagorical scenarios of melodramatic weirdness.

“Paul Thomas Anderson has taken Thomas Pynchon’s novel about the death of the hippie counterculture and turned it, reasonably faithfully, into a surreally funny, anxious and beautiful film noir.” — The Telegraph

Viggo Mortensen is a Danish engineer who adopts military garb to search for his fugitive daughter in in the wilderness of 19th-century Patagonia. Lisandro Alonso’s surreal drama is as enigmatic as it is compelling.

Greek director Yorgos Lanthimos (Dogtooth) casts Colin Farrell, Rachel Weisz, John C. Reilly and Léa Seydoux in a surreal English-language fable set in a world where singles are forced to couple up or be turned into animals.

Tim Wong’s elegantly assembled and illustrated film essay contemplates the prevailing image of our national cinema while privileging some of the images and image-makers displaced by the popular view of filmmaking in New Zealand.

The director and riveting star of Barbara reunite for another moving film noir-inflected tale of love and profound suspicion, this time set amidst the reconstruction of Berlin in the immediate aftermath of WWII.