Usually I'm hard at work writing about the film festival for The Lumière Reader. This year, I thought I'd jump the fence and actually make a film of my own. When I'm not losing sleep over that, I'll be giving special attention to Asian cinema, Hollywood musicals and silent era oddities, movies about the teenage experience, secret and/or forgotten film histories, and unknown pleasures from places as faraway as Guatemala.
Films — by Collection
- Darren Bevan
- David Larsen
- Films for Teens
- James Croot
- Letterboxd
- Meet the Filmmakers: Auckland
- Meet the Filmmakers: Wellington
- Patricia Watson
- Rebecca McMillan
- Staff Picks: Angela Murphy
- Staff Picks: Bill Gosden
- Staff Picks: Cianna Canning
- Staff Picks: Felicity Drace
- Staff Picks: Hayden Ellis
- Staff Picks: Jenna Udy
- Staff Picks: Kailey Carruthers
- Staff Picks: Kate McArthur
- Staff Picks: Lisa Bomash
- Staff Picks: Lynn Smart
- Staff Picks: Megan Duffy
- Staff Picks: Michael McDonnell
- Staff Picks: Olivia Young
- Staff Picks: Poppy Granger
- Staff Picks: Rachael Deller-Pincott
- Staff Picks: Sandra Reid
- Staff Picks: Sibilla Paparatti
- Staff Picks: Tom Ainge-Roy
- The Lumière Reader
- Tim Wong
- Wellington Film Society's Picks of NZIFF 2015
Tim Wong
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The Assassin
Nie Yinniang
Shu Qi plays the eponymous killer in this ravishingly beautiful foray into historical martial arts territory from Taiwanese master Hou Hsiao-hsien. Winner of the Best Director Award at Cannes.
Cemetery of Splendour
Rak ti Khon Kaen
A hospital full of sleeping soldiers is haunted by matters both historical and intensely personal in the latest gentle and entrancingly beautiful cinematic enigma from the Thai Palme d’Or winner Apichatpong Weerasethakul.
Our Little Sister
Umimachi Diary
Three sisters in their 20s get to know their teenage half-sister in this charming family drama, beautifully accentuated with flavours and sensations of its unmistakably Japanese setting. From the director of I Wish.
Tehran Taxi
Pretending to be a taxi driver negotiating the streets of Tehran, Iranian filmmaker Jafar Panahi makes a fascinating, surprisingly entertaining movie about his own role as a forbidden storyteller and life in Iran today.