The White Ribbon (image 1)

With this austerely told, severely enthralling masterwork, Cannes has found its Palme d'Or.

Mary Corliss, Time

Screened as part of NZIFF 2009

The White Ribbon 2009

Das Weisse Band

Directed by Michael Haneke

Direct from Cannes, the Palme d'Or winner from Austrian cine-provocateur Michael Haneke. Strange events happen in a small village in the north of Germany during the years before World War I, which seem to be ritual punishment. Who is responsible?

Austria / France / Germany / Italy In German with English subtitles
145 minutes B&W / DCP

Director, Screenplay

Producers

Stefan Arndt
,
Veit Heiduschka
,
Margaret Menegoz
,
Andrea Occhipinti

Screenplay consultant

Jean-Claude Carriére

Photography

Christian Berger

Editor

Monika Willi

With

Christian Friedel
,
Ernst Jacobi
,
Leonie Benesch
,
Ulrich Tukur
,
Ursina Lardi
,
Michael Kranz
,
Burghart Klaussner
,
Steffi Kühnert
,
Maria-Victoria Dragus
,
Josef Bierbichler
,
Gabriela Maria Schmeide
,
Rainer Bock
,
Susanne Lothar
,
Branko Samarovski

Festivals

Cannes (In Competition) 2009

Awards

Palme d'Or (Best Film), Cannes Film Festival 2009

Elsewhere

Thanks to Reading Cinemas we are able to present this dazzling example of the new digital cinema in its original format. Please note the special booking requirements below. For technical reasons The White Ribbon will screen only in Wellington.

“Michael Haneke explores the roots of German fascism in The White Ribbon, a masterful sociological drama that brought the Austrian filmmaker (who previously won Cannes' Grand Jury Prize for The Piano Teacher and Best Director for Hidden) his long-overdue Palme d'Or. The setting is a rural German village during the year lead-up to World War I, where the local schoolteacher (excellent newcomer Christian Friedel) comes to believe that a rash of deadly accidents befalling the townsfolk may be the work of one or more of his eerily withdrawn, stoic pupils. The ribbon of the title, a symbol of innocence and purity, is one that Haneke gradually unravels as the teacher hones in on the ritualistic cycle of domination, submission and humiliation churning beneath the town's placid Protestant surface...

This disturbing, challenging and austerely beautiful film (shot in forbidding black-and-white) methodically works its way through a dense, multi-character narrative while refining the director's trademark concerns about society's hidden violence and the evils transmitted from parents to children... The White Ribbon reaffirms him as the leading European filmmaker of his generation. It feels like a classic even as you are watching it for the first time.” — Scott Foundas, LA Weekly

“A portrait of a place that is so rich, so detailed and so full of telling relationships and behaviour that you feel you have gained an understanding of the very essence of these people.” — Dave Calhoun, Time Out