Karim Aïnouz follows his dynamic debut Madame Satã with the subtle, sensitive story of a young mother just trying to get by when she returns to her small home town from bustling São Paulo.
Screened as part of NZIFF 2007
Suely in the Sky 2006
O Céu de Suely
Karim Aïnouz follows his dynamic debut Madame Satã with the low-key story of a young mother just trying to get by when she returns to her small home town from bustling São Paulo. Her homecoming unites three generations of women under the same roof, all looking after the fourth, baby Matheus. Hermila has come home in advance of her husband, but she might as well be waiting for Godot. In the meantime, old flame João is available. Unimpressed by the paralysing languor of small-town life, and unable to make ends meet by raffling whiskey, Hermila is soon itching to escape. Busfare is expensive, however, and the only thing of value that she can market is her body. The film subtly and sensitively traces Hermila’s efforts to sell herself while retaining the maximum amount of control and dignity. Aïnouz makes the most of his photogenic setting – the film is beautifully lit – and evokes wonderfully naturalistic performances from his cast. With minimal means, he lends a slender storyline rich emotional impact. — Andrew Langridge