Check out the year’s best New Zealand short films as chosen by this year’s guest selector, Kerry Fox, from a total of 117 submitted entries.
|Nov 07|| |
|Nov 09|| |
For New Zealand’s Best 2021 short film competition, Head of Programming Michael McDonnell and Senior Programmer Sandra Reid viewed 117 submissions to draw up a shortlist of 12, from which New Zealand actress and filmmaker Kerry Fox selected these six finalists. A jury of three will select the winners of the Vista Group Award for Best Short Film ($7500), the Creative New Zealand Emerging Talent Award ($4000), and the Auckland Live Spirit of the Civic Award ($4000), while audiences at the Auckland and Wellington screenings will vote for the winner of the Audience Choice Award who will receive 25 percent of the box office from the main centre NZIFF screenings.
Kerry Fox: Naturally I’m going to lean towards films that deliver courageous, rich, original and truthful performances, but these are the criteria I believe are essential to the whole creation of cinematic drama.
The films I felt most succeeded in their specific intentions were those that tackled their chosen dramas with courage, being prepared to face something that frightens, and wit, so displaying inventive thought and delivery.
Rich conflict and the unexpected were the elements that most stirred my responses, so it was the cinematic expression of the conflict that defines drama that won my heart each time.
Films are listed in the order they will screen.
Eight-year-old Hine and her father still mourn the passing of her mother, but one day while her father works, Hine devises a plan to wash away her father’s sadness.
Jon Little humorously shares the frustrations of living with cerebral palsy in a world not designed to accommodate those who are different.
Inspired by a true story, a vacationing mother and daughter bicker and avoid connection at an idyllic hot spring retreat until an unfortunate accident occurs.
Tūī and brother Manaia live alone in a remote farm with their distant father still coming to terms with a tragic loss, but something in the forest calls to Tūī.
A lazy summer day at the public pools takes a nasty turn driving a wedge between 13-year-old Jade and her best friend.
Fourteen-year-old Matt takes his dad’s yellow Datsun for one last wild joyride with his best buddy and kid brother in tow.