Ema 2019

Directed by Pablo Larraín Premieres

Pure, unadulterated cinema, the latest from Chilean maestro Pablo Larraín is straight fire: a scorching character study of one woman’s pursuit of sexual and political liberation, lit up by Mariana Di Girolamo’s sensational lead performance.

Jul 31
Premiere
Aug 01

Ends at

Chile In Spanish with English subtitles
102 minutes DCP / VOD
R16
sex scenes, offensive language & nudity

Director

Producer

Juan De Dios Larraín

Screenplay

Guillermo Calderón
,
Pablo Larraín
,
Alejandro Moreno

Photography

Sergio Armstrong

Editor

Sebastián Sepúlveda

Production designer

Estefanía Larraín

Costume designers

Muriel Parra
,
Felipe Criado

Music

Nicolas Jaar

With

Mariana Di Girolamo (Ema)
,
Gael García Bernal (Gastón)
,
Paola Giannini (Raquel)
,
Santiago Cabrera (Aníbal)
,
Cristián Suárez (Polo)

Festivals

Venice, Toronto 2019

Elsewhere

PRESENTED IN ASSOCIATION WITH

George FM

This film is screening in select cinemas and venues across the country. See here for details.

Few films in recent memory have blazed a trail as passionately as Pablo Larraín’s Ema, which signals the director’s return to the present and his native Chile via the incandescent city of Valparaíso.  

Virtual unknown Mariana Di Girolamo, in a star turn you won’t be able to take your eyes off, plays the titular dancer, mother and pyro-lover impervious to social norms. On a quest to reclaim her adopted son Polo, whose absence explains her deteriorating marriage to choreographer Gastón (Gael García Bernal), Ema sets out on a path of deliberate resistance, embracing the orgasmic street movement of reggaeton and embarking on a fluid succession of relationships with people of all genders in her orbit. For reasons that don’t need explaining, she also owns a flamethrower and rejoices in burning shit down – a none-too-subtle metaphor for her relentless pursuit of catharsis and the film’s white-hot energy through which creative and sexual expression bursts forth.

Every bit the firecracker that had critics in Venice, where it premiered, clamouring for superlatives, Larraín’s film is visually stunning, fuelled with combustible symbolism and physicality, and a genuine war cry for dancers, lovers and the matriarchy everywhere. — Tim Wong

About the Filmmaker
Pablo Larraín was born in Santiago, Chile. His international breakthrough, Tony Manero (2008), was followed by Post Mortem (2010), No (NZIFF12), The Club (NZIFF15) and Neruda (NZIFF16). In 2016 he directed his first English-language film, the Oscar-nominated Jackie.