God Exists, Her Name Is Petrunya 2019

Gospod postoi, imeto i’ e Petrunija

Directed by Teona Strugar Mitevska Fresh

Teona Strugar Mitevska’s Macedonia-set satire charts the empowering, thought-provoking journey of a woman who challenges patriarchy and gender equality while finding herself in the process.

Jul 30

Penthouse Cinema

Aug 01
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Light House Cuba

Aug 04
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Penthouse Cinema

Aug 06
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Light House Cuba

Aug 07

Penthouse Cinema

Aug 09
Sold Out

Light House Cuba

North Macedonia In Macedonian with English subtitles
100 minutes CinemaScope / DCP
violence, offensive language, sexual references & nudity


Labina Mitevska


Elma Tataragić
Teona Strugar Mitevska


Virginie Saint Martin


Marie-Hélène Dozo

Production designer

Vuk Mitevski

Costume designer

Monika Lorber


Olivier Samouillan


Zorica Nusheva (Petrunya)
Labina Mitevska (Slavica)
Simeon Moni Damevski (chief inspector Milan)
Suad Begovski (priest)
Stefan Vujisič (young officer)
Violeta Shapkovska (Vaska)
Xhevdet Jashari (cameraman)


Sydney 2019


Unemployed and living with her overbearing parents, 32-year-old Petrunya (newcomer Zorica Nusheva) is not having a good day. On her way back home from a failed job interview and humiliated by a sleazy manager whose sexual advances didn’t even grant her employment, she suddenly finds herself surrounded by a group of half-naked men. Readying themselves to compete for a crucifix thrown into the river by a priest – a male-only Macedonian religious custom – Petrunya on a whim dives in and beats them to the prize. Chaos ensues and she is whisked off to the police station where cops, church authorities and men ‘robbed’ of their cross argue over this so-called crime. But Petrunya refuses to be bullied into submission and to give the cross up – which tradition says will bring her a year of good luck. Inspired by a real-life incident, director Teona Strugar Mitevska’s award-winning drama combines feminism, fury and biting social commentary to often hilarious effect.

“This isn’t just an engaging tale of one woman challenging the male-dominated church and state, but a movie making a smart, impassioned statement against widely accepted subjugation in many forms.” — Sarah Ward, Screendaily