Skate Kitchen 2018

Directed by Crystal Moselle Fresh

The Wolfpack director Crystal Moselle returns with a free wheeling, often funny fiction debut about young female skateboarders in New York City, featuring real-life crew Skate Kitchen.

Aug 08

Light House Petone

USA In English
106 minutes DCP
M
offensive language, sexual references & drug use

Director

Producers

Lizzie Nastro
,
Izabella Tzenkova
,
Crystal Moselle
,
Julia Nottingham
,
Rodrigo Teixeira
,
Michael Sherman
,
Matthew Perniciaro

Screenplay

Aslihan Unaldi
,
Crystal Moselle
,
Jennifer Silverman

Photography

Shabier Kirchner

Editor

Nico Leunen

Production designer

Fletcher Chancey

Costume designer

Camille Garmendia

Music

Aska Matsumiya

With

Rachelle Vinberg (Camille)
,
Dede Lovelace (Janay)
,
Nina Moran (Kurt)
,
Ajani Russell (Indigo)
,
Kabrina Adams (Ruby)
,
Jules Lorenzo (Eliza)
,
Brenn Lorenzo (Quinn)
,
Jaden Smith (Devon)

Festivals

Sundance 2018

PRESENTED IN ASSOCIATION WITH

The Edge

A chance meeting on the New York subway between Crystal Moselle (The Wolfpack, NZIFF15) and the titular female Skate Kitchen crew led to this vibrant film about freedom and friendship, in which the real-life skaters play versions of themselves.

When Camille (Rachelle Vinberg), a lonely girl from Long Island, injures herself skateboarding, her mum bans her from ever skating again. But skating is everything to Camille. Seeing that a crew she follows on Instagram are going to be at a Lower East Side skate park, she is there in a heartbeat, and not only proves her ability but quickly fits in with everyone. The diverse, staunchly independent group skate together and discuss life in bedroom hangouts, all the while carving out their own unique space at the park.

When a boy skater (played by Jaden Smith) attracts Camille’s attention, things get complicated in the group, and she finds herself in a male world, sleeping on a sofa while guys at the other end of the room flick between nature docos, skate videos and porn. There is darkness hanging around the edges of the film, but, while it does owe Larry Clark’s NYC classic a shoutout, this is definitely not Kids.

The film’s best scenes, which resonate proudly with a sense of community and camaraderie, are when the crew are skating. The camera moves fluidly with the group as they take Manhattan, while Moselle’s documentary eye gives the film its grounded, observational realism. The irreverent, rowdy atmosphere is captured by a soundtrack featuring tracks including Princess Nokia’s ‘Kitana’ and Khalid’s ‘Young Dumb & Broke’.