Films by Collection

Staff Picks: Sandra Reid

My usual tack, to begin honing a list of a dozen films out of the hundreds seen during the past year, is to use Cannes as a prism. It’s the festival where I most recently saw films and they’re therefore fresh in mind. This does mean my list often tilts heavily in that direction and neglects other splendours. As I can’t fit all our wonderful Cannes crop on my list, I suggest checking out The Best of Cannes at NZIFF on the News page as a guide (with special mention to Birds of Passage, Border, Burning, Cold War, Donbass, Girl and Le Grand Bal – oh, the list could go on). I would love to be in Auckland celebrating the festival’s 50th year there with the NZIFF Classics – although other cities also get to share some of the love in the Retro selection – all of which are high on my To At Last See or To See Again If I Ever Get the Chance lists. And I’m looking forward to many more, including films from Aotearoa that I’ve yet to have the pleasure of seeing – can I squeeze in a cheer for Bludgeon here? It’s doubtful I’ll take up the sport it depicts but I loved my encounter with this documentary’s valiant knights. My Must Sees begin and end with two of the first films I saw last year when setting out on the 2019 selection process, both mesmerising, albeit in very different ways, and firmly embedded in my mind and will be for sometime yet.

Leave No Trace

Debra Granik

New Zealand actress Thomasin Harcourt McKenzie is mesmerising as 13-year-old Tom living off the grid with her war vet father (Ben Foster) in this haunting new film from the director of Winter’s Bone.

First Reformed

Paul Schrader

A country priest (Ethan Hawke) questions his faith after an unnerving encounter with a radical environmentalist in this searing thriller from the writer of Taxi Driver and Raging Bull.