Screened as part of NZIFF 2016

Looking for Grace 2015

Directed by Sue Brooks World

Sue Brooks (Road to Nhill, Japanese Story) applies her unique blend of comedy and drama as distraught parents (Radha Mitchell and Richard Roxburgh) hit the road in pursuit of runaway teenage daughter Grace (Odessa Young).

100 minutes DCP




Lizzette Atkins
Sue Taylor
Alison Tilson


Katie Milwright


Peter Carrodus

Production designer

Clayton Jauncey

Costume designer

Terri Lamera


Elizabeth Drake


Odessa Young (Grace)
Richard Roxburgh (Dan)
Radha Mitchell (Denise)
Terry Norris (Norris)
Harry Richardson (Jamie)
Kenya Pearson (Sappho)
Myles Pollard (Bruce)
Julia Blake (Nell)
Tasma Walton (Sandra)
Holly Jones (Julie)
Shirley Van Sanden (Rosemary)
Kelton Pell (Detective David Lockett)
Rebecca Davis (Jenny)
Peter Rowsthorn (Steve)
Amanda Woodhams (Susie)


Toronto 2015

Writer/director Sue Brooks and producer Alison Tilson will introduce the film and take questions afterwards

Stellar newcomer Odessa Young (The Daughter) is 16-year-old Grace, who disappears from her suburban home, grabbing a stash of cash from her father’s safe and leaving a note saying ‘Sorry, Mum’. Agreeing about little else, Mum and Dad (Radha Mitchell and Richard Roxburgh) enlist the services of an unlikely, semi-retired detective, hit the road and follow the clues east from Perth. A fifth character encountered driving these same roads remains a mystery until the film is almost over.

As in her earlier films, Sue Brooks (Road to NhillJapanese Story, NZIFF07) retains a compassionate awareness, through the most trying events for her characters, that the dramas which shape our lives rarely arrive in dramatic form. In Brooks’ manual, comedy and tragedy are all mixed up and there’s certainly no law against accidents. Looking for Grace, her first film from a self-authored script, is a jangly mix of character comedy, social satire, road movie, mystery, rueful coming-of-age and mid-life muddle. She accentuates the haphazard, but what’s truly disconcerting is the empathy she accumulates for her hapless principals as they ride the bumps.

“It’s at least as good as [Nhill and Japanese Story], with a depth of emotion running beside a strange and humane thread of comedy. So many comedies – not just local ones – trade in juvenile and trivial ideas; this one offers a deep observation of human nature, with a sense of the ridiculous that’s much more satisfying. Brooks knows that life is weirder than movies make out.” — Paul Byrnes, Sydney Morning Herald