Screened as part of NZIFF 2014

The Congress 2013

Directed by Ari Folman

Following his Oscar-nominated Waltz with Bashir, Ari Folman continues his foray into the world of animation with this audacious sci-fi film that combines live action Hollywood satire with dazzlingly surreal animation.

Germany / Israel In English
122 minutes B&W / DCP



Ari Folman
Reinhard Brundig
Robin Wright


Ari Folman, Based on the novel The Futurological Congress by Stanislaw Lem

Animation director

Yoni Goodman


Michael Englert


Nili Feller

Production designer

David Polonsky

Costume designer

Mandi Line


Max Richter


Robin Wright (Robin Wright)
Harvey Keitel (Al)
Jon Hamm (Dylan)
Paul Giamatti (Dr Barker)
Kodi Smit-McPhee (Aaron)
Danny Huston (Jeff)
Sami Gayle (Sarah)
Michael Stahl-David (Steve)
Michael Landes (Maxi)
Sarah Shahi (Michelle)


Cannes (Directors’ Fortnight)
Karlovy Vary
Fantastic Fest
London 2013

“Ari Folman follows his groundbreaking animated documentary Waltz with Bashir with an equally bold and brilliant movie. A meta-textual Hollywood satire starring the actress Robin Wright as herself, it morphs midway into a full blown sci-fi cartoon, but only to cut even closer to the philosophical bone in its investigation of femininity, fantasy and virtual reality.

Inspired by Stanislaw Lem’s novel The Futurological Congress, and, no doubt, by his own exposure to 21st-century Los Angeles, Folman delves into a make believe world where a beautiful, talented, mature actress like Robin Wright (The Princess Bride; Forrest Gump) is considered all but washed up. Miramount studio head Danny Huston does have one last proposition for her though, a deal that will guarantee her riches for life and fame well beyond that. He wants to scan her, sample her, and take full rights to the virtual Robin Wright, the first true movie immortal. Only one condition: the actual Robin must never act again.

It’s a Faustian bargain too good to turn down. But that’s only the beginning. Peering 20 years into the future, Forman imagines the synthesis of movies, computers and chemistry, where anyone with money can live vicariously through their avatars of choice, 24/7. A visionary film that takes its place alongside Brazil, Blade Runner and Solaris, The Congress is a savagely funny and surprisingly moving commentary on our increasing reliance on screens – not just to watch, but to hide behind.” — Vancouver International Film Festival