The Wind Journeys (image 1)

Heartfelt without ever becoming sentimental, [it] has a pure and honest simplicity that makes it wonderfully compelling.

Diana Sanchez, Toronto International Film Festival

Screened as part of NZIFF 2010

The Wind Journeys 2009

Los viajes del viento

Directed by Ciro Guerra

The wild splendours of the Colombian landscape form a spectacular backdrop for the odyssey of a tough old accordion player and a young wannabe musician. “Deeply affecting and boldly unsentimental.” — Macleans

Colombia In Spanish with English subtitles
117 minutes CinemaScope

Director, Screenplay

Producers

Cristina Gallego
,
Diana Bustamante

Photography

Paulo Andrés Pérez

Editor

Iván Wild

Production designer

Angélica Perea

Costume designer

Camila Olarte

Sound

Ranko Paukovic
,
José Jairo Flórez

Music

Iván Ocampo

With

Marciano Martínez (Ignacio Carrillo)
,
Yull Núñez (Fermín Morales)
,
Agustín Nieves (Nine)
,
Erminia Martínez (Mujer Guajira)
,
José Luís Torres (Meyo)
,
Justo Valdez (Batata)
,
Carmen Molina (Tendera)
,
Juan Martínez (Marimbero mayor)

Festivals

Cannes (Un Certain Regard), Toronto, London 2009; Rotterdam, San Francisco 2010

Elsewhere

The wild splendours of the Colombian landscape form a spectacular, sentient backdrop for the cross-country odyssey of Ignacio, a tough old accordion player who has resolved to retire and return his instrument to his mentor. Fermín, a young wannabe musician, doggedly follows along, determined to become his apprentice.

“Superbly directed by Ciro Guerra, this realist fable unfolds as an exhilarating mix of music, landscape and drama. Even simply as a travelogue, the film is a natural drama of exquisite beauty… As the lens reveals wild lands and cultures, villagers play themselves. But the story itself – told with spare dialogue, poetic visuals and vivid sound design – is deeply affecting and boldly unsentimental…
And the music! The movie is set in 1968, when accordion troubadours still roamed from village to village. Ignacio engages in fierce accordion duels that involve singing and declamatory freestyle singing. There’s a notion that the musician is possessed by his instrument, which has horns attached, and you can believe it, as if he’s playing, or being played by, the lungs of the devil, or a higher power… As the camera captures rhythms of light and shadow racing across the land, it’s as if the filmmaker is drawing music from the earth itself. This is a brilliant, beautiful work of pure cinema. Literally breathtaking.” — Brian D. Johnson, Macleans

“Paulo Andrés Pérez’s widescreen compositions often dwarf the characters in their sheer scale and grandeur, offering up the region’s desolate beauty as an object worthy of endless contemplation.” — Justin Chang, Variety