Godland 2022

Vanskabte Land/Volaða Land

Directed by Hlynur Pálmason Widescreen

Icelandic filmmaker Hlynur Pálmason follows up A White, White Day (NZIFF 2019) with this stunning historical epic which recalls the grandeur and madness of Herzog at his best.

Aug 06

Lumière Cinemas (Bernhardt)

Aug 08

Lumière Cinemas (Bernhardt)

Denmark / Iceland In Danish and Icelandic with English subtitles
143 minutes DCP
M
Violence, nudity & content that may disturb

Director, Screenplay

Producers

Katrin Pors
,
Anton Máni Svansson
,
Eva Jakobsen
,
Mikkel Jersin

Cinematography

Maria Von Hausswolff

Editor

Julius Krebs Damsbo

Production designer

Frosti Friðriksson

Costume designer

Nina Grønlund

Music

Alex Zhang Hungtai

With

Elliott Crosset Hove (Lucas)
,
Ingvar Sigurðsson (Ragnar)
,
Vic Carmen Sonne (Anna)
,
Jacob Hauberg Lohmann (Carl)
,
Ída Mekkín Hlynsdóttir (Ida)
,
Waage Sandø (Vincent)
,
Hilmar Guðjónsson (translator)

Festivals

Cannes (Un Certain Regard), Sydney 2022

Presented in association with

Wgtn Film Society

“A young priest travels from Denmark to Iceland in the late 19th century, where his mission is mocked by nature and by the corruptibility of his faith in Hlynur Pálmason’s striking elemental epic…

In Godland, man’s ambitions, even in relation to matters as seemingly pure as faith and spirituality, are revealed to be fragile, small, and helpless against the omnipotent forces of an unforgiving natural world. Those themes suggest a film of brooding portentousness, and this transfixing drama is certainly austere. But there’s also a marvellously odd vein of sneaky humour running through it, along with an unpredictability that keeps you glued…

This is a highly original work that goes beyond its theological aspects to explore more universal questions of mankind and our evanescent place in the world. Even its images of death hit differently, notably in some stunning time-lapse sequences that show flesh and bone being absorbed into the landscape. Godland is many things, not least of them a contemplative correlative to The Northman

Pálmason’s control over this challenging material never falters throughout the film’s epic length, deftly dropping in moments of surprising lightness to alleviate the dark… This knockout drama represents a considerable leap in maturity and ambition that merits commensurate attention.” — David Rooney, Hollywood Reporter