Festival Programme

Films by Strand

Frames

Works that explore and expand the language of documentary filmmaking.

Cutting Through Rocks

Ozak ulalar

Sara Khaki, Mohammadreza Eyni

Sara Shahverdi’s unique position as a councilwoman in rural Iran invites the audience to share her triumphs and setbacks as she uplifts young women and ruffles conservative feathers by advocating for gender equality.

Endless Cookie

Seth Scriver, Peter Scriver

Canadian animator Seth Scriver travels to remote northern Manitoba to make a film about his indigenous half-brother Pete, delivering a zany cartoon portrait of First Nations life that defies description.

Imago

Déni Oumar Pitsaev

Déni Oumar Pitsaev’s Cannes-awarded documentary is a lyrical meditation on the dreams of the displaced, as he returns to a valley in the Caucasus in search of a sense of home.

Israel Palestine on Swedish TV 1958-1989

Israel Palestina på Svensk TV 1958-1989

Göran Hugo Olsson

The long, muddled history of the foundation of Israel and the annexation of Palestine are explored with remarkable objectivity and moral clarity in this gripping and essential documentary composed entirely of rare archival footage from Swedish TV.

Mistress Dispeller

Elizabeth Lo

This thought-provoking documentary follows a “mistress dispeller” – a professional specialist in ending infidelity – and intimately interrogates marriage, loneliness and labour in contemporary China.

Trains

Pociągi

Maciej J. Drygas

An immersive journey through the history of rail travel, this dazzling archival documentary captures humanity at its best and worse, bearing witness to both boundless innovation and bitter despair.

The Wolves Always Come at Night

Gabrielle Brady

A young Mongolian family loses their livelihoods following a natural disaster. This docufiction provides a confronting look at their lives and proves that climate change can affect even the world's most remote areas.

Zodiac Killer Project

Charlie Shackleton

Not your average true crime doco, this witty and perceptive deconstruction of the genre is less about the infamous Zodiac Killer case itself, instead shifting focus to reexamine the way crime stories are told.