95 minutes
TBC
Since 2012, the Wairoa Māori Film Festival and Pollywood have been part of NZIFF, curating the annual Ngā Whanaunga Māori Pasifika short film programme. The name “Ngā Whanaunga" was gifted by Huia Kaporangi Koziol, who described it as meaning relatedness and connectedness between peoples. Māori are part of the great Pasifika whānau; our Polynesian peoples journeyed on the same waka from Hawaiiki, and are related by culture, language and blood and in wairuatanga (soulfulness) across our vast sea Moana-nui-a-kiwa. From the beginning, screening Māori works alongside Pasifika was symbolic of whānaungatanga and connectedness.
In 2025, we now evolve into Ngā Whanaunga: Aotearoa New Zealand’s Best, with the best of Māori and Pasifika filmmaking now alongside the best films made by everyone in Aotearoa. Wairoa Māori Film Festival founder Leo Koziol (Ngāti Kahungunu, Ngāti Rakaipaaka) and Pollywood Film Festival founder Craig Fasi (Niue) continue their role in short film programming, focusing their lens upon Ngā Whanaunga: Aotearoa New Zealand’s Best 2025 Indigenous talent in their role as co-curators. Artistic Director Paolo Bertolin, Programme Manager Michael McDonnell and programmers Carmen Gray and Huia Haupapa (Te Ātiawa,Ngāti Mutunga) round out the selection committee. Notes on each film are provided by the selection committee.
A total of 88 films were submitted for this year’s competition, with 13 finalists chosen by the selectors. A jury of three will select the winner of the $5000 Umbrella Entertainment Best Short Film Award, the $4000 Spirit of the Civic Award, the $2000 Wellington UNESCO Creative City of Film Emerging Talent Award, and the $2000 Letterboxd Award for Māori Pasifika Talent. The jury awards will be presented following the Auckland screening. The winner of the audience vote takes away the coveted Audience Award, consisting of 25% of the box office from NZIFF screenings in Auckland, Wellington, Christchurch and Dunedin.
In this captivating animation, a koro leads a desperate chase after the mirumiru (bubbles) of memories that escape his deteriorating wife before they’re gone forever. — HH
It is a hard life on the street for Puti; perhaps she best not follow her mother’s footsteps. With hope, there is another journey, another possibility. — LK
Two isolated strangers find an unexpected connection in this pungent short. Immersive handheld camerawork draws us into a world of rural desolation before dropping the hammer blow. — MM
An elderly woman wilting away in a retirement home longs to commune with the vibrant natural world outside. This magical short offers a positive spin on our impending mortality. — MM
A young filly struggles to break from the stable in this absurd and wildly original fable, starkly reminding us of the past dehumanisation of Indigenous whānau. — LK
Exceptional as the many; each guide shares the same journey – forcing you to choose a path. — CF
Two kung fu masters meet in a Chinese diner via a dating app and turn to the art to settle scores. — CG