Simon of the Mountain 2024

Simón de la montaña

Directed by Federico Luis

Simon doesn't feel as though he belongs anywhere, yet he somehow fits in with a group of voracious, mentally disabled teenagers. This intensely felt debut explores the lengths Simon will go to find his place in the world.

Argentina In Spanish with English subtitles
96 minutes
M
Violence & offensive language

Director

Producers

Patricio Álvarez Casado, Fernando Bascuñan, Ignacio G. Cucucovich, Carlos Rincones

Screenplay

Federico Luis, Tomás Murphy, Agustín Toscano

Cinematography

Marcos Hastrup

Editors

Tomás Murphy, Andrés Medina

Production Designer

Nicolás Tavella

Costume Designer

Paula Ruiz Abalos

Music

Hernán González Villamil

Cast

Lorenzo Ferro, Pehuén Pedre, Kiara Supini, Laura Nevole, Agustín Toscano

Festivals

Cannes (Critics’ Week), Melbourne, San Sebastián 2024

Awards

Critics’ Week Grand Prize, Cannes Film Festival 2024

Elsewhere

Federico Luis explores the challenges of adolescence and disability in his subtle yet moving first feature. Simon (Lorenzo Ferro), a troubled and lonely young man, leads a melancholy existence with his mother and her partner in the Argentinian Andes. With tension at home, Simon searches for his comfort zone by befriending a group of mentally disabled youths. Despite their challenges, the teenagers’ tenacious attitudes give Simon a fresh outlook on life. As he grows closer to them, he devises a plan to fit into a society he has never felt part of.

As Simon navigates the opportunities and repercussions that come with taking on a disabled persona, he finds his new friends are equally complex individuals with their own curiosities about the world.

Luis’ delicate treatment of individuals rarely given the spotlight endears them to the viewer through the universal desire for love, companionship and acceptance. Utilising mostly non-professional actors and experimenting with sound using a hearing aid, the film is intimate and personal and invites the audience into Simon’s perplexing world in this novel take on the coming-of-age genre. — Madison Marshall