Screened as part of NZIFF 2023

Banel & Adama 2023

Banel et Adama

Directed by Ramata-Toulaye Sy Fresh

First-time director Ramata-Toulaye Sy’s visually striking African fable depicting a clash between love and duty in a remote Senegalese village, premiered in Competition at Cannes.

Jul 27

ASB Waterfront Theatre

Jul 28

ASB Waterfront Theatre

Aug 04

The Bridgeway Cinema

Senegal In Pulaar with English subtitles
87 minutes Colour / DCP

Director, Screenplay


Eric Névé, Margaux Juvénal, Maud Leclair-Névé


Amine Berrada


Vincent Tricon

Production Designer

Oumar Sall

Costume Designer

Maria Diop


Bachar Mar-Khalifé


Khady Mane
Mamadou Diallo
Binta Racine Sy
Moussa Sow
Ndiabel Diallo
Oumar Samba Dia
Amadou Ndiaye
Amadou Hady Sall
Cherif Diallo
Nima Ba
Amadou Kane Sylla


Cannes (In Competition) 2023

The only first-time director screening at this year’s Cannes Competition, Ramata-Toulaye Sy reveals a powerful new voice in her dramatically arresting African fable about two star-crossed lovers.

“Banel dreams of living with Adama in a house in the dunes. These dune houses are submerged in sand and progress to dig them out is Banel’s measure of how close they are to happiness. Yet, traditions in this small Islamic village threaten to stall their scheme. Adama is next in line to be village chief. When he refuses the role and does not turn up to prayers, his failure to do so, and by extension his romance with Banel, is held responsible when a drought persists, causing livestock and, eventually, people to die.

The greatest accomplishment here is there is no primacy between one version of events or another. Banel isn’t so much an unreliable narrator as she is the star of a fever dream where symbolism and reality meld. This being so—perhaps the villagers are right, perhaps her relationship with Adama did prevent the rains from falling, perhaps love is a selfish force that puts one at a remove from collective needs. Sy does not provide a definitive interpretation, conducting her images at a level of opaque remove, letting the dramatic emotions and weather conditions set a temperature of their own mysterious making.” — Sophie Monks Kaufman, Indiewire

“Sy and [Khady] Mane show that Banel is not a simperingly demure Juliet figure: she is fierce and pugnacious with a violent streak. She likes killing things with stones flung from a catapult, and when she uses this weapon to kill a songbird there was a gasp of disbelief from the audience I was in. Wonderfully photographed and vehemently acted… this is an impressive piece of work from a natural film-maker.” — Peter Bradshaw, The Guardian