Ága 2018

Directed by Milko Lazarov World

An exquisitely shot and very moving film about an aging couple who appear to exist alone on the edge of the world, stoically surviving on the Arctic tundra in a way of life that may be about to end.

Jul 22

Event Cinemas Westgate

Jul 25

The Civic Theatre

Jul 26

The Civic Theatre

Bulgaria / France / Germany In Sakha (Yakut) with English subtitles
96 minutes CinemaScope/DCP
PG
cert

Director

Producer

Veselka Kiryakova

Screenplay

Milko Lazarov
,
Simeon Ventsislavov

Photography

Kaloyan Bozhilov

Editor

Veselka Kiryakova

Production designer

Agi Ariunsaichan Dawaachu

Costume designers

Vanina Geleva
,
Daria Dmitrieva

Music

Penka Kouneva

With

Mikhail Aprosimov (Nanook)
,
Feodosia Ivanova (Sedna)
,
Galina Tikhonova (Ága)
,
Sergey Egorov (Chena)
,
Afanasiy Kylaev (truck driver)

Festivals

Berlin 2018

Writer/director Milko Lazarov’s second feature spotlights an aging Yakut couple whose lifestyle may soon be extinct. In snow-covered North Eastern Siberia, every footprint, every cloud, every passing airplane must be interpreted for crucial details on which their lives could depend. This attentive listening must also be applied internally, towards each other. Despite the couple’s long and intimate companionship there are mysteries still unknown. There are complicated family dynamics to unravel in connection with their children, one of whom works in the city and the other (the titular Ága) in a diamond mine, several days journey away.

Kaloyan Bozhilov’s majestic cinematography sinks the viewer deep into every magnificent icy frame, and despite a contemplative pace this movie never dawdles. Nothing exists in this landscape without a reason, and Lazarov’s precise cinematic poetry creates an intense, affecting and emotional piece of cinema where animals, bloodied or mystical, are key players. Important messages are relayed through dreams and meaning is literally carried through the air.

Each image, each word in this story is placed with extreme care and it is a delight as a viewer to be asked to engage our own whole attention. A dangerous imminence hangs heavily over the film, as with many stories set in such harsh conditions, but a sudden emotional finale bursts this movie into a whole new genre. This is a formally surprising and clever piece of story-telling which lands an unexpected conclusion – the triumph of connection over disengagement. — Jo Randerson