Screened as part of NZIFF 2016

Sunset Song 2015

Directed by Terence Davies Big Nights

“Terence Davies’s Sunset Song is a movie with a catch or sob in its singing voice: a beautifully made and deeply felt adaptation of Lewis Grassic Gibbon’s 1932 novel of rural Scotland.” — Peter Bradshaw, The Guardian

Luxembourg / UK In English
135 minutes CinemaScope / DCP
sexual violence, sex scenes & nudity

Director

Producers

Roy Boulter
,
Sol Papadopoulos
,
Nicolas Steil

Screenplay

Terence Davies. Based on the novel by Lewis Grassic Gibbon

Photography

Michael McDonough

Editor

David Charap

Production designer

Andy Harris

Costume designer

Uli Simon

Music

Gast Waltzing

With

Agyness Deyn (Chris Guthrie)
,
Peter Mullan (John Guthrie)
,
Kevin Guthrie (Ewan Tavendale)

Festivals

Toronto
,
San Sebastián
,
London 2015

Elsewhere

Terence Davies will introduce the film and be present for a Q+A at the 27 July session at Embassy Theatre


A long-cherished project for director Terence Davies, Sunset Song tells the story of a young woman coming of age on a farm in northern Scotland on the cusp of World War I. Like Lewis Grassic Gibbon’s 1932 novel on which it is based, the film is closely attuned to the moods of landscape and sky. If its lush visual poetry strikes a chord with New Zealand audiences it may be, at least in part, because some scenes were shot in Canterbury.  

“Agyness Deyn’s soulful face tells the story of Sunset Song in an instant, as her expression tilts between vulnerability and determination… the film is set just before the First World War, and Deyn plays Chris Guthrie, a schoolgirl with a deep love of learning, a key to another life beyond her family’s farmhouse in Aberdeenshire. The phrase ‘model-turned-actress’ often has negative connotations, but not so for Agyness Deyn.” — Kate Muir, The Times

“It features an exceptionally strong central performance by Agyness Deyn as Chris, the bright daughter of a brutish farmer (Peter Mullan in top form)… With great exactitude, Davies traces how Chris’s bleak future as her father’s housekeeper is averted and where life takes her, imbuing the action with an unostentatious tenderness and eliciting uniformly lovely performances from the rest of his cast. As a study in hardship, brutalizing family life, and romantic loss, Sunset Song is a deeply felt return to territory with which the director is intimately familiar… Nothing short of sublime, Sunset Song ranks with The House of Mirth and The Long Day Closes among Davies’s finest achievements.” — Gavin Smith, Film Comment