Screened as part of NZIFF 2013

Fill the Void 2012

Lemale et ha chalal

Directed by Rama Burshtein

Eighteen-year-old Shira must choose a husband in this sensitive drama that provides rare insight into family tradition and personal choice in Tel Aviv’s Hared community.

Israel In Hebrew with English subtitles
90 minutes

Director, Screenplay


Assaf Amir


Asaf Sudry


Sharon Elovic

Production designer

Ori Aminov

Costume designer

Chani Gurewitz


Aviv Aldema, Moti Hefetz


Yitzhak Azulay


Hadas Yaron (Shira), Yiftach Klein (Yochay), Irit Sheleg (Rivka), Chaim Sharir (Aharon), Razia Israeli (Aunt Hanna), Hila Feldman (Frieda), Renana Raz (Esther), Yael Tal (Shifi), Michael David Weigl (Shtreicher), Ido Samuel (Yossi), Neta Moran (Bilha)


Venice, Toronto, New York, London 2012; Sundance, San Francisco 2013


Best Actress (Hadas Yaron), Venice Film Festival 2012

Set in Tel Aviv in an Orthodox Hassidic family, this film follows 18-year-old Shira’s search for a husband after her older sister dies in childbirth. Marriage is a central focus in this community and here the concept of ‘a good match’ is especially complicated, with a grief-stricken mother who has more than Shira’s happiness in mind. Watching Shira negotiate the labyrinth of familial pressure, religious precedent, and her own burgeoning sentiment is both painful and beautiful – there are no easy choices to be made and the viewer travels back and forth with Shira as she struggles to take ‘the best path’. 

Writer-director Rama Burshtein investigates the complexities of her own community without judgement: instead we must evaluate for ourselves the strengths and challenges of this closed group and its religious and cultural practices. Ultimately we can only sympathise with characters who are caught, as we all are, between their wishes and desires and the very particular world they find themselves in. What does ‘doing what you want’ look like when you are bound tightly in a loving familial context, upon which your happiness depends? — Jo Randerson

“Director Rama Burshtein’s debut is nothing less than astonishing. She’s a card-carrying member of Israel’s Hared community and, with that experience, has crafted a work of moral complexity and visual artistry… A major component of the film’s triumph comes courtesy of Hadas Yaron as the 18-year-old Shira. With minimal means – furtive glances, pursed lips, and all other manner of momentary hesitations – her performance speaks volumes.” — Chris Chang, Film Comment