Screened as part of NZIFF 2011

Winter Vacation 2010

Han jia

Directed by Li Hongqi

In this acclaimed absurdist comedy, bored teenagers and disillusioned adults rage at each other and the emptiness of life in frost-bitten northern China. Winner of the Golden Leopard for Best Film at the Locarno Film Festival.

China In Mandarin with English subtitles
91 minutes Blu-ray / CinemaScope

Director, Screenplay, Editor


Alex Chung


Qin Yurui

Production designers

Qin Yurui
Yi Xiaodong


Guo Rn’ru


Zuoxiao Zuzhou
The Top Floor Circus


Bai Junjie
Zhang Naqi
Bai Jinfeng
Xie Ying
Wang Hui
Bao Lei
Bai Xiaohong
Zhi Feng
Jiang Chao


Locarno, London 2010; Rotterdam, New Directors/New Films 2011


Golden Leopard (Best Film), Locarno Film Festival 2010


‘Like South Park in slow motion’ quipped writer Mark Peranson, Li Hongqi’s mercilessly deadpan comedy charts the endless boredom of the last day of winter School holidays in a depopulated industrial settlement in remote Inner Mongolia – and the even more profound absurdity of the first day back in class. — BG

“Li Hongqi has slowly been perfecting his style of drop-deadpan humour with philosophical underpinnings: a kind of minimalist sitcom-Kafka, Kaurismaki-cum-Jarmusch blend that is as mesmerizing as it is hilarious. With Winter Vacation, he hits the bullseye. The mix of slacker teens and semicomatose adults is perfect; with precociously world-weary little children thrown into the mix… The ‘action’… is punctuated by offbeat chants and a song by China’s most radical independent musician, Zuoxiao Zuzhou. Did we mention that the film was, also, oddly, unnervingly beautiful?” — Shelly Kraicer, Vancouver International Film Festival

“No other director can touch poet-novelist Li Hongqi when it comes to deadpan studies of the raging emptiness of life in modern China… [Winter Vacation] shows nothing the Film Bureau could object to, but effortlessly demolishes every post-Olympics platitude about China’s ‘growth’ and quality of life. Shot in Inner Mongolia but set in some dark recess of the mind, it offers social realism as a protracted hallucination, underscored by avant-garde noises from Zuoxiao Zuzhou and The Top Floor Circus. Li says that he prefers audiences to laugh inwardly rather than out loud, but few will be able to restrain themselves in the face of some of these one-liners.” — Tony Rayns, London Film Festival