Take Shelter (image 1)

A hallucinatory thriller anchored by a deeply resonant sense of unease.

Justin Chang, Variety

Screened as part of NZIFF 2011

Take Shelter 2011

Directed by Jeff Nichols

Contemporary anxieties about the end of days are brilliantly channelled into Jeff Nichols’ acclaimed psychological thriller. A riveting Michael Shannon plays a small-town working guy driven by visions of apocalypse.

USA In English
123 minutes CinemaScope

Director, Screenplay

Producers

Tyler Davidson
,
Sophia Lin

Photography

Adam Stone

Editor

Parke Gregg

Production designer

Chad Keith

Costume designer

Karen Malecki

Music

David Wingo

With

Michael Shannon (Curtis)
,
Jessica Chastain (Samantha)
,
Shea Whigham (Dewart)
,
Katy Mixon (Nat)
,
Ray McKinnon (Kyle)
,
Lisa Gay Hamilton (Kendra)
,
Robert Longstreet (Jim)
,
Kathy Baker (Sarah)
,
Tova Stewart (Hannah LaForche)

Festivals

Sundance, Cannes (Critics’ Week) 2011

Awards

Grand Prize (Critics’ Week), Cannes Film Festival 2011

Elsewhere

“There’s possibly no more mesmerizing American actor working in any medium today than Michael Shannon. His talents are put to exceptional use in writer-director Jeff Nichols’ devastating Take Shelter… His characterization grips like a vice as he shifts from softness to menace, stillness to panic, incomprehension to crazed, purposeful illumination.
…[This] picture is a masterfully controlled piece of work on every level – from its precise modulation of mood to its piercing emotional accuracy, its impeccable craftsmanship and breathtaking imagery. Rarely have electrical storms, cloud formations and glowering skies had such an unnerving impact or expressed such dark visual poetry.
While at times it conjures suggestions of vintage Polanski-style paranoia in rural America, this haunting psychological thriller is also a quasi-horror movie firmly rooted in slice-of-life reality. An allegory for the troubles of the world bearing down on ordinary people in an age of natural, industrial and economic cataclysms, it taps into pervasive anxiety more acutely than any film since Todd Haynes’ Safe.” — David Rooney, Hollywood Reporter