Screened as part of NZIFF 2011

Le Havre 2011

Directed by Aki Kaurismäki

This tender French comedy by Finnish filmmaker Aki Kaurismäki was a huge hit at Cannes and winner of the Critics Prize. “Wonderful, big-hearted comedy… What a treat this film is.” — The Guardian

Finland / France / Germany In French with English subtitles
93 minutes

Director, Producer, Screenplay


Timo Salminen


Timo Linnasalo


André Wilms (Marcel Marx)
Kati Outinen (Arletty)
Jean-Pierre Darroussin (Monet)
Blondin Miguel (Idrissa)
Elina Salo (Claire)
Evelyne Didi (Yvette)
Quoc-dung Nguyen (Chang)
Laika (Laika)
François Monnié (grocer)
Roberto Piazza (Little Bob)
Pierre Étaix (Doctor Becker)
Jean-Pierre Léaud (denouncer)


Cannes (In Competition) 2011


International Critics Prize, Cannes Film Festival 2011


Our Centrepiece celebrates the comeback of a long-time Festival favourite. Aki Kaurismäki’s tender French comedy was a huge hit in competition at Cannes and winner of the International Critics Prize. — BG

“Some wonderful, big-hearted comedy was provided by the Finnish filmmaker Aki Kaurismäki... Le Havre had all the master’s trademarked deadpan dialogue and delicious nuggets of bone-dry humour, and his compassion for the marginalised and dispossessed, but with something richer and sweeter than I remember from his previous pictures… Le Havre is shot in the French port town, with French actors and dialogue, though Kaurismäki’s repertory stalwart player Kati Outinen has a role. She plays the wife of Marcel (André Wilms), a dignified, stoic man who works as a shoeshiner on the streets. Marcel witnesses an illegal immigrant boy from Gabon, Idrissa (Blondin Miguel), escape from the police and sets out to help him. But a tough cop, Inspector Monet (Jean-Pierre Darroussin), is on his trail, not to mention a mean-spirited local given to making anonymous denunciations.

Kaurismäki’s movie moves lightly but elegantly and quickly, like a little jockey on a powerful horse... Somehow, for all its comedy and absurdity, Le Havre addresses its theme with more persuasive confidence than many a grim social-realist picture… Kaurismäki is a master of making deadpan a subtle, expressive performance mode... What a treat this film is.” — Peter Bradshaw, The Guardian

“Finally Cannes delivers some real laughs! …Le Havre blithely portrays life as we might wish it to be, and that is the funniest irony of all.” — Barbara Scharres, Chicago Sun-Times