Cría cuervos (image 1)

A gripping, profoundly mysterious movie... The film is a masterpiece of form and technique, and Chaplin and Torrent are both outstanding.

Peter Bradshaw, The Guardian

Screened as part of NZIFF 2011

Cría cuervos 1976

Directed by Carlos Saura

Celebrating 40 years of the Film Festival: Ana Torrent, surely one of the great child actors, and Geraldine Chaplin in Carlos Saura’s haunting 1976 classic. “A gripping, profoundly mysterious movie.” — The Guardian

Spain In Spanish with English subtitles
110 minutes DCP

Director, Screenplay

Producer

Elías Querejeta

Photography

Teodoro Escamilla

Editor

Pablo G. Del Amo

Music

Federico Mompou

With

Geraldine Chaplin (Ana, the mother)
,
Mónica Randall (Paulina, the aunt)
,
Florinda Chico (Rosa)
,
Ana Torrent (Ana)
,
Héctor Alterio (Anselmo)
,
Germán Cobos (Nicolás)
,
Mirta Miller (Amelia)

Festivals

Cannes 1976; Wellington 1978

Awards

Grand Prix, Cannes Film Festival 1976

Elsewhere

Selecting just one film from the thousands we have screened, to celebrate the 40th anniversary of the Film Festival in Wellington, seemed impossible – until we heard about this new digitised restoration of one of the great hits of our first decade. Coming at the end of an era when every Spanish film worth its salt was an encrypted dispatch about life under Franco Cría cuervos, shot the year of his death, beguiles with its evocation of trans-generational mysteries – and leaves audiences as addicted as its young protagonist to the Spanish pop song ‘Porque te vas’. — BG

“An exquisitely made and deeply affecting film, told from the viewpoint of children, which has guilt and trauma running through its delicate veins… Eight-year-old Ana (Ana Torrent, from The Spirit of the Beehive) is the middle of three sisters, and we meet her in her well-off and conservative family’s claustrophobic Madrid home just as her ex-soldier father, Anselmo (Héctor Alterio), dies – joining her pale, weak mother, Ana (Geraldine Chaplin, seen in flashbacks), who passed away not long before.

Ana is convinced she is responsible for her father’s death, and we see a number of episodes, past and present, real and fantastical, which sketch her uneasy position in a world where children are party to adultery, patriarchy, unhappiness, conflict and scary raw chicken feet in the fridge. The performances of the children – especially Torrent, who has a haunting, old-beyond-her-years presence – are exceptional, and writer/director Carlos Saura moves us with a gentle, poetic ease through the film’s many complex realities.” — Dave Calhoun, Time Out